अपने स्तर के लिए सही पुस्तक ढूंढें

अंतर्निहित शब्दकोश और शब्दावली अभ्यास के साथ ग्रेडेड रीडर्स पढ़ें।

1427 समीक्षाओं में से 4.85
242 किताबें
प्रारूप

242 किताबें

Cover of La vuelta al mundo en 80 días – Spanish B1 graded reader
ई-बुकपेपरबैक

La vuelta al mundo en 80 días in Spanish at level B1 with dictionary

B1 Spanish शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(2)

A gentleman's wager, a global dash, and a detective hot on your trail. Absorb hundreds of real-world Spanish words effortlessly as you follow Fogg's thrilling journey. A margin dictionary keeps you immersed, never breaking your reading flow....

Cover of La vuelta al mundo en 80 días – Spanish A2 graded reader
ई-बुकपेपरबैक

La vuelta al mundo en 80 días in Spanish at level A2 with dictionary

A2 Spanish शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(5)

A fortune hangs in the balance, a relentless detective is on your trail, and the world rushes by. Can you circumnavigate the globe in just 80 days? Absorb essential Spanish vocabulary and grammar naturally, building confidence with every page. A margin dictionary means you never break your reading flow....

Cover of Jorden rundt på 80 dager – Norwegian A1 graded reader
ई-बुकपेपरबैकऑडियोबुक

Jorden rundt på 80 dager in Norwegian at level A1 with dictionary

A1 Norwegian शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(15)

Imagine racing against the clock, a fortune on the line, as you dash across continents with a detective hot on your heels. You'll effortlessly absorb essential Norwegian vocabulary and grammar, building confidence with every page of this thrilling adventure. Contextual definitions on every page mean you'll never break your reading flow....

Cover of A Volta ao Mundo em 80 Dias – Portuguese A2 graded reader
ई-बुकपेपरबैक

A Volta ao Mundo em 80 Dias in Portuguese at level A2 with dictionary

A2 Portuguese शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(7)

Can a meticulous gentleman truly circle the globe in just eighty days, with a detective convinced he's a thief? Absorb Portuguese naturally as you follow Fogg's thrilling race against time. A margin dictionary means you'll never break your reading flow....

Cover of Il giro del mondo in 80 giorni – Italian B1 graded reader
ई-बुकपेपरबैक

Il giro del mondo in 80 giorni in Italian at level B1 with dictionary

B1 Italian शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(5)

A gentleman bets his fortune on a global dash, but a relentless detective believes he's a bank robber, hot on his heels. Absorb hundreds of real-world Italian words and phrases effortlessly, building B1 vocabulary that sticks through this unforgettable global dash....

Cover of Il giro del mondo in 80 giorni – Italian A2 graded reader
ई-बुकपेपरबैक

Il giro del mondo in 80 giorni in Italian at level A2 with dictionary

A2 Italian शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(8)

The clock is ticking. Eighty days to circle the world, a detective on your trail, and a fortune at stake. Absorb essential A2 Italian vocabulary and grammar naturally as you race across continents with Phileas Fogg. A margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Il giro del mondo in 80 giorni – Italian A1 graded reader
ई-बुकपेपरबैकऑडियोबुक

Il giro del mondo in 80 giorni in Italian at level A1 with dictionary

A1 Italian शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(8)

Imagine betting your entire fortune you can race around the globe in just 80 days, with a detective hot on your heels. Master essential Italian phrases naturally, immersed in this classic adventure, building vocabulary that sticks effortlessly. A margin dictionary means you never break your reading flow....

Cover of Le Tour du monde en 80 jours – French B2 graded reader
ई-बुकपेपरबैक

Le Tour du monde en 80 jours in French at level B2 with dictionary

B2 French शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(4)

The clock is ticking. Your fortune, and freedom, depend on a daring dash across the globe, pursued by a relentless detective. Master complex French structures and expand your vocabulary naturally, swept away by Fogg's epic journey. Contextual notes clarify tricky idioms, keeping you immersed....

Cover of Le Tour du monde en 80 jours – French B1 graded reader
ई-बुकपेपरबैक

Le Tour du monde en 80 jours in French at level B1 with dictionary

B1 French शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(5)

The clock is ticking. Can you outrun a detective, navigate perilous lands, and circumnavigate the globe in just 80 days? Absorb hundreds of real-world French words and phrases naturally, building B1 vocabulary that sticks effortlessly. Integrated glossaries ensure you never lose your place or your confidence....

Cover of Le Tour du monde en 80 jours – French A2 graded reader
ई-बुकपेपरबैक

Le Tour du monde en 80 jours in French at level A2 with dictionary

A2 French शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(1)

Your fortune on the line, a world to conquer in 80 days, and a detective convinced you're a thief. Master essential French vocabulary and grammar effortlessly, swept away by this thrilling global adventure. Integrated vocabulary support means you never break your reading flow....

Cover of Le Tour du monde en 80 jours – French A1 graded reader
ई-बुकपेपरबैकऑडियोबुक

Le Tour du monde en 80 jours in French at level A1 with dictionary

A1 French शब्दकोश: अंग्रेज़ी

by Jules Verne 5.0(5)

Can you really circle the globe in just 80 days, with a fortune on the line and danger at every turn? Master beginner French vocabulary and grammar without even realizing it, swept away by a global race against the clock. Integrated glossaries mean you never break your reading flow....

Cover of Orgueil et Préjugés – French B2 graded reader
ई-बुकपेपरबैक

Orgueil et Préjugés in French at level B2 with dictionary

B2 French शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(3)

Her sharp wit clashed with his arrogant pride, but what if their first impressions were a dangerous deception? Absorb hundreds of real-world French words and complex grammar naturally as you get lost in this timeless tale of love and misunderstanding. A margin dictionary means you never break your reading flow....

Cover of Orgueil et Préjugés – French B1 graded reader
ई-बुकपेपरबैक

Orgueil et Préjugés in French at level B1 with dictionary

B1 French शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(5)

She thought him arrogant, he found her impertinent. Can love truly bloom from such fierce disdain? Absorb hundreds of real-world French words and phrases effortlessly as you get lost in their timeless romance. Margin definitions keep you immersed, never breaking your reading flow....

Cover of Orgueil et Préjugés – French A1 graded reader
ई-बुकपेपरबैकऑडियोबुक

Orgueil et Préjugés in French at level A1 with dictionary

A1 French शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(1)

He's arrogant, she's prejudiced. Can love bloom amidst scandal and societal pressure? Absorb hundreds of essential French words and phrases naturally, building your A1 vocabulary effortlessly as you get lost in their story. A built-in margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Orgullo y prejuicio – Spanish B1 graded reader
ई-बुकपेपरबैक

Orgullo y prejuicio in Spanish at level B1 with dictionary

B1 Spanish शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(1)

Her heart pounded with indignation, convinced he was the proudest, most arrogant man she’d ever met. Master B1 Spanish vocabulary and grammar, effortlessly, as you witness a timeless romance unfold. Contextual notes clarify tricky phrases, keeping you immersed in the drama....

Cover of Orgullo y prejuicio – Spanish A2 graded reader
ई-बुकपेपरबैक

Orgullo y prejuicio in Spanish at level A2 with dictionary

A2 Spanish शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(2)

She thought him arrogant, he found her impertinent. But what if first impressions hide a deeper truth? Absorb hundreds of real-world Spanish words and phrases effortlessly as you get lost in this timeless romance....

Cover of Orgullo y prejuicio – Spanish A1 graded reader
ई-बुकपेपरबैकऑडियोबुक

Orgullo y prejuicio in Spanish at level A1 with dictionary

A1 Spanish शब्दकोश: अंग्रेज़ी

by Jane Austen 5.0(3)

Her heart burned with prejudice, his with pride. Can love ever bloom between two such stubborn souls? Absorb hundreds of real-world Spanish words and phrases, effortlessly building vocabulary as their timeless story unfolds. A margin dictionary means you never break your reading flow....

Cover of Mujercitas – Spanish B1 graded reader
ई-बुकपेपरबैक

Mujercitas in Spanish at level B1 with dictionary

B1 Spanish शब्दकोश: अंग्रेज़ी

by Louisa May Alcott 5.0(3)

Feel the yearning for freedom, the sting of first love, and the quiet sorrow of loss through the eyes of four unforgettable sisters. Immerse yourself in their world and absorb B1 Spanish naturally, building vocabulary and confidence effortlessly. A margin dictionary means you never break your reading flow....

Cover of Mujercitas – Spanish A1 graded reader
ई-बुकपेपरबैक

Mujercitas in Spanish at level A1 with dictionary

A1 Spanish शब्दकोश: अंग्रेज़ी

by Louisa May Alcott 5.0(2)

Step into a bustling home where four sisters navigate love, loss, and ambition during a time of war. Absorb Spanish naturally as you follow their unforgettable journey, building vocabulary that sticks effortlessly. A margin dictionary means you never break your reading flow....

Cover of Приключения Шерлока Холмса – Russian B2 graded reader
ई-बुक

Приключения Шерлока Холмса in Russian at level B2 with dictionary

B2 Russian शब्दकोश: अंग्रेज़ी

by Arthur Conan Doyle 5.0(7)

A baffling case lands on Baker Street's doorstep, challenging even the sharpest minds. Absorb hundreds of real-world Russian words and complex B2 grammar naturally, lost in Holmes's brilliant deductions. Contextual notes and a margin dictionary keep you immersed, never breaking your reading flow....

ग्रेडेड रीडर्स क्यों काम करते हैं

शोध इस बात की पुष्टि करता है कि व्यापक पठन शब्दावली बनाने और प्रवाह में सुधार करने के सबसे प्रभावी तरीकों में से एक है। ग्रेडेड रीडर्स पाठ की कठिनाई को आपके CEFR स्तर से मिलाते हैं, ताकि हर पृष्ठ सीखने के लिए पर्याप्त चुनौतीपूर्ण हो लेकिन आनंद लेने के लिए पर्याप्त आसान भी हो। प्रत्येक पुस्तक में पाठ के बगल में एक शब्दकोश, अध्याय अभ्यास और ऑनलाइन शब्दावली अभ्यास शामिल है — वह सब कुछ जो आपको एक पैकेज में चाहिए।

फ़ॉर्मैट: ई-बुक, पेपरबैक और सुपर ऑडियोबुक

हमारे ग्रेडेड रीडर्स कई फ़ॉर्मैट में उपलब्ध हैं। पाठ, CEFR स्तर और शब्दकोश सभी में एक जैसे रहते हैं — बदलता है तो बस पढ़ने का तरीका। जो आपके दिन के अनुकूल हो, वही चुनिए: सफ़र में फ़ोन पर ई-बुक, मेज़ पर काग़ज़ और पेंसिल के साथ किताब, या सुपर ऑडियोबुक, जब आप एक साथ पढ़ना और सुनना चाहें।

ई-बुक (EPUB और PDF)। ख़रीदते ही आप दोनों फ़ाइलें डाउनलोड कर सकते हैं और ई-रीडर, फ़ोन, टैबलेट या कंप्यूटर पर पढ़ सकते हैं। कठिन शब्दों का अनुवाद एक पॉप-अप नोट में होता है: एक टैप, और आप कहानी में वापस — शब्दकोश खोजने की ज़रूरत नहीं। हर अध्याय के अंत में शब्दावली अभ्यास हैं, और एक लिंक आपको उन्हीं शब्दों के मुफ़्त ऑनलाइन अभ्यास तक ले जाता है।

पेपरबैक। सॉफ़्टकवर वाली एक क्लासिक किताब, जो ऑर्डर पर छापी जाती है और डाक से भेजी जाती है। शब्दकोश हाशिये पर, ठीक उसी शब्द के पास होता है जिसे वह समझाता है, इसलिए पन्ने पलटने की ज़रूरत नहीं पड़ती। अध्यायों के अंत में क्रॉसवर्ड और शब्दावली अभ्यास हैं, और QR कोड फ़ोन से आपको ऑनलाइन अभ्यास तक ले जाते हैं। अगर आपको किताब में लिखना पसंद है या आप स्क्रीन से थोड़ा आराम चाहते हैं, तो यह अच्छा विकल्प है।

इस सूची में फ़ॉर्मैट (242 किताबें): ई-बुक: 242 · पेपरबैक: 231 · सुपर ऑडियोबुक: 68।

सुपर ऑडियोबुक: एक साथ पढ़िए, सुनिए और शब्दों का अर्थ देखिए

सुपर ऑडियोबुक कराओके के रूप में एक ऑडियोबुक है। वाचक किताब को ज़ोर से पढ़ता है, और आपके सामने वही पाठ होता है, जिस पर एक निशान शब्द-दर-शब्द आगे बढ़ता है। आपको हमेशा पता रहता है कि आप कौन-सा शब्द सुन रहे हैं, इसलिए आप कभी भटकते नहीं — तब भी नहीं, जब वाचक आपकी पढ़ने की गति से तेज़ बोलता है। कान आँखों को बताते हैं कि लिखा हुआ शब्द कैसा सुनाई देता है, और आँखें कानों को बताती हैं कि जो सुना वह कैसे लिखा जाता है — दोनों रास्ते एक ही शब्दों को एक साथ पक्का करते हैं।

असली फ़र्क़ तब दिखता है जब कोई अनजान शब्द आता है। साधारण ऑडियोबुक में वह एक पल में निकल जाता है; सुपर ऑडियोबुक में वह आपकी पहुँच में रहता है: शब्दकोश वाले शब्द रंग से चिह्नित होते हैं, और किसी शब्द को दबाए रखने पर आपकी भाषा में उसका अनुवाद दिख जाता है। आप अर्थ देखते हैं, सुनना जारी रखते हैं और कहानी का सूत्र नहीं छूटता। स्लाइडर से आप वाचक की गति 0.5× से 1.5× तक तय करते हैं — शुरुआत में धीमा करके हर अक्षर पकड़िए, फिर धीरे-धीरे स्वाभाविक बोलचाल की गति तक बढ़ाइए। पढ़ते समय मिले शब्द बाद में ऐप के छोटे अभ्यासों में लौटते हैं, जैसे मिनी क्रॉसवर्ड या अक्षरों से शब्द बनाना।

पढ़ते हुए सुनने के पक्ष में शोध के अच्छे प्रमाण हैं। Lightbown और उनके सहयोगियों (2002) द्वारा वर्णित एक कनाडाई कार्यक्रम में, जिन बच्चों ने तीन साल तक केवल इसी तरह अंग्रेज़ी सीखी — किताबें पढ़ते हुए साथ में उनकी रिकॉर्डिंग सुनकर — वे भाषा को पारंपरिक तरीक़े से पढ़ाए गए साथियों जितना या उनसे बेहतर समझते थे। Waring और Takaki (2003) ने दिखाया कि किसी शब्द को तीन महीने बाद पहचानने की 50% संभावना के लिए भी उससे कम से कम आठ बार मिलना ज़रूरी है। किसी अध्याय को दोबारा सुनना आपको ठीक यही अतिरिक्त मुलाक़ातें देता है — बिना कोई नया पाठ लिए।

A1 और A2 स्तर पर सुपर ऑडियोबुक वर्तनी और उच्चारण को जोड़ने में मदद करती है — जो उन भाषाओं में ख़ास तौर पर उपयोगी है जिनमें शब्द जैसे लिखे जाते हैं वैसे पढ़े नहीं जाते, या जिनकी लिपि अलग है। B1 और B2 पर यह आपको असली बोलचाल की गति के साथ ले चलती है, ताकि आप धाराप्रवाह सुनने के आदी हो जाएँ और हर वाक्य पर रुकना छोड़ दें। उन्नत पाठकों को अक्सर वाचक की ज़रूरत ही नहीं होती — इसीलिए वाचक को कब चालू करना है और कब चुपचाप पढ़ना है, यह आप तय करते हैं।

सुपर ऑडियोबुक Pentecost ऐप में या ब्राउज़र में चलती है — फ़ोन, टैबलेट और कंप्यूटर पर। आप इसे ई-बुक के साथ जोड़ सकते हैं: किताब के पेज पर ई-बुक वाले बॉक्स में “ऑडियोबुक जोड़ें” चुनिए; अगर ई-बुक पहले से आपके पास है, तो रिकॉर्डिंग अलग से भी ख़रीद सकते हैं। असीमित एक्सेस के साथ आप सभी रिकॉर्ड की गई सुपर ऑडियोबुक्स बिना किसी सीमा के सुनते हैं, और हर महीने ऐसी किताब की रिकॉर्डिंग अनलॉक कर सकते हैं जिसकी अभी रिकॉर्डिंग नहीं है — वह आपके लिए रिकॉर्ड की जाती है, और तैयार होते ही ऐप आपको बता देता है। ऑडियोबुक फ़िल्टर रिकॉर्डिंग वाले शीर्षक दिखाता है, और मुफ़्त नमूना आप बिना खाता बनाए सुन सकते हैं।

लेखकों और अनुवादकों के बारे में

इस सूची में शास्त्रीय लेखक पहले आते हैं; इन पाठकों को अनुकूलित करने वाले Pentecost के संपादक अगले ब्लॉक में आते हैं।

  • Antoine de Saint-Exupéry: Antoine de Saint-Exupéry (1900–1944) was a French writer and aviator who drew on his own flying adventures. In 1944 his plane vanished over the Mediterranean during a reconnaissance flight, and the wreckage was only found more than half a century later.
  • Arthur Conan Doyle: Arthur Conan Doyle (1859–1930) was a Scottish physician and writer, the creator of Sherlock Holmes. The brilliant detective was modelled on his university teacher, Dr. Joseph Bell, famous for his razor-sharp powers of observation.
  • George Orwell: George Orwell (1903–1950) was the pen name of Eric Arthur Blair, an English writer who fought in the Spanish Civil War. He coined terms such as "Big Brother" and "Newspeak," and his name gave us the adjective "Orwellian."
  • Jane Austen: Jane Austen (1775–1817) was an English novelist whose books were published anonymously in her lifetime, signed only "By a Lady." She completed just six novels, and today her portrait appears on the British £10 note.
  • Jules Verne: Jules Verne (1828–1905) was a French writer known as the father of science fiction and one of the most translated authors in the world. In his novels he foresaw submarines and space travel long before they existed.
  • Lewis Carroll: Lewis Carroll (1832–1898) was the pen name of Charles Dodgson, an Oxford mathematician and logician. He invented the story of Alice during a boat trip, to entertain a real little girl named Alice Liddell.
  • Louisa May Alcott: Louisa May Alcott (1832–1888) was an American writer who grew up among the Transcendentalists — Ralph Waldo Emerson and Henry David Thoreau were family friends. She served as a nurse during the Civil War and, before her fame, published sensational thrillers under the male pen name A. M. Barnard.
  • Lucy Maud Montgomery: Lucy Maud Montgomery (1874–1942) was a Canadian writer from Prince Edward Island who set her novels in the landscapes of her childhood. Thanks to Anne of Green Gables, the island became a place of pilgrimage for readers from around the world.

अनुवादक और संपादक

Pentecost संपादक शब्दावली और नोट्स को अनुकूलित करते हैं ताकि कहानी आपके स्तर पर स्पष्ट रहे।

  • Aino Snow: Aino Snow adapts Finnish fiction for English-speaking readers in the graded-reader series. Finnish cases and consonant gradation get short, reusable glosses instead of a grammar essay on every page. She prefers footnotes that point forward—hinting that a form will return—so readers start to recognise patterns.
  • Angela Borderkeeper: Angela Borderkeeper adapts German-language stories for English readers who are building vocabulary through extensive reading. She balances literal clarity with readable English, especially where German stacks nouns or uses modal particles that do not map neatly. Her side notes focus on collocations learners will meet again in real newspapers and podcasts.
  • Aniela Pogranicznik: Aniela Pogranicznik przygotowuje polskie opracowania tekstów niemieckich w serii dla samouków. Zwraca uwagę na to, by zdania były krótkie tam, gdzie trzeba, ale żeby nie straciły naturalnego szyku — szczególnie w scenach dialogowych. Często wraca do swoich notatek z kursów dla nauczycieli, gdy układa glosariusze i przypisy do trudniejszych zwrotów.
  • Anne Frank: Anne Frank edits English support text for Dutch originals in the series. She is careful with false friends between Dutch and English and flags them early in the glossary. When a joke depends on word order, she looks for an English equivalent that keeps the beat of the scene instead of explaining the punchline away.
  • Catherine Thief: Catherine Thief edits English support layers for Portuguese originals, comparing European and Brazilian variants when the source mixes them. She prefers one clear editorial choice per title rather than hedging in every footnote. She reads aloud to catch phrasing that still sounds like translationese.
  • Christine Guardian: Christine Guardian edits graded-reader adaptations of French fiction for English-speaking adults. She keeps an eye on register—literary French can sound stiff in English if you translate every clause—and prefers footnotes that support the scene rather than pause it. She still reads long-form journalism in French to stay close to how people actually write today.
  • Clara Fieldlove: Clara Fieldlove edits English-language scaffolding around Spanish narratives for the extensive-reading list. She steers clear of over-literal cognates that mislead beginners and prefers short glosses tied to the immediate context. She has a soft spot for dialogue-heavy chapters where rhythm matters as much as vocabulary.
  • Edwina Finbow: Edwina Finbow edits English-facing material for Icelandic fiction in the graded-reader programme. Icelandic inflection and compound formation get one clear gloss at first occurrence, then lighter reminders. She likes crime and family drama where everyday vocabulary does most of the storytelling work.
  • Grace Earthland: Grace Earthland prepares English commentary for Norwegian texts in the graded-reader programme. Norwegian’s compact clauses can read abrupt in English; she smooths the seams while keeping the emotional temperature of the scene. She coordinates closely with whoever writes the chapter exercises so examples match the chapter’s new items.
  • Greta Thunderhill: Greta Thunderhill adapts Swedish fiction for English-speaking learners using the Pentecost graded format. She keeps an eye on compound words that look long but are common in Swedish, and explains them once where they recur. She likes endings where the payoff is emotional rather than lexical—those need the lightest touch in the notes.
  • Helen Rainbow: Helen Rainbow prepares the English support layer for Hawaiian texts in the graded-reader programme. The ʻokina and the kahakō change what a word means, so she keeps them in every gloss instead of tidying them away. She watches the a-class and o-class possessives, where English “my” hides a distinction Hawaiian insists on.
  • Inga Clay: Inga Clay prepares English-facing materials for Danish fiction in the graded-reader line. Danish often drops subjects; she makes sure the English scaffolding still feels natural while the original stays visible on the facing page or in the margin notes. She enjoys working on small-town settings where everyday vocabulary carries most of the plot.
  • Katarzyna Złodziej: Katarzyna Złodziej przygotowuje polskie teksty towarzyszące portugalskojęzycznej beletrystyce w serii na różne poziomy CEFR. Bacznie rozróżnia wariant europejski i brazylijski, gdy w oryginale ma to znaczenie. W pracy redakcyjnej woli jedną jasną decyzję niż pięć kompromisów, które rozmywają głos narratora.
  • Klara Linden: Klara Linden adapts Czech fiction for English-speaking readers in the Pentecost graded line. Seven cases and verb aspect carry what English does with prepositions and auxiliaries; she glosses an aspect pair once and lets the story repeat it. She points out where Czech word order carries the emphasis English would mark with stress.
  • Klara Polanowicz: Klara Polanowicz tłumaczy i upraszcza hiszpańskojęzyczne narracje dla polskich czytelników w serii lektur gradowanych. Często pracuje nad rejestrem: hiszpański z Ameryki Łacińskiej i z Półwyspu wymaga innych decyzji po polsku. W przypisach stawia na krótkość i kontekst, żeby słownik nie zasłaniał fabuły.
  • Krystyna Strażnik: Krystyna Strażnik od lat zajmuje się przekładem i redakcją tekstów literackich z francuskiego na polski dla dorosłych czytelników. W pracy nad wersjami uproszczonymi pilnuje, by poziom słownictwa zgadzał się z etykietą CEFR, a jednocześnie nie gubił się humor ani rytm dialogów. Prywatnie dużo czyta współczesną prozę francuskojęzyczną i chętnie poleca tytuły, które dobrze brzmią także po polsku.
  • Małgorzata Strzecharz: Małgorzata Strzecharz redaguje polskie wersje uproszczonych lektur do nauki angielskiego — od poziomów początkowych po średniozaawansowane. Łączy doświadczenie szkolne z pracą przy materiałach do czytania ekstensywnego: ważne jest dla niej, żeby bohaterowie nie brzmieli jak sztucznie uproszczone manekiny. Po godzinach i tak sięga po anglojęzyczne kryminały, bo lubi sprawdzać, jak brzmi żywy, współczesny idiom.
  • Margarete Reetdachdeckerin: Margarete Reetdachdeckerin verantwortet die deutsche Bearbeitung begleitender Texte zu englischsprachigen Lektüren der gestuften Reihe. Sie erklärt Phrasal verbs und idiomatische Kurzformen so, dass sie im Kapitel wiedererkennbar werden, ohne dass jede Seite zur Grammatiktafel wird. Sie liest laut, wenn ein Dialog noch nach Übungsbuch klingt.
  • Margherita Tettaiola: Margherita Tettaiola scrive e rivede testi in inglese con un occhio al lettore che passa dalle scuole superiori a esigenze professionali. Si occupa soprattutto di rendere le sfumature colloquiali comprensibili, senza cadere in calchi che suonano finti agli nativi. I glossari che prepara privilegiano le collocazioni, quelle combinazioni di parole che fanno suonare naturale una frase. Quando introduce un autore, preferisce poche biografie fattuali e un contesto culturale che renda plausibili le scelte stilistiche.
  • Marie Bender: Marie Bender adapts Polish literary texts for English speakers learning Polish through parallel reading and footnoted editions. She explains case endings and aspect pairs in short, plain English, then lets the Polish carry the voice of the narrator. She reads each chapter twice: once for accuracy, once for pace.
  • Mary Guide: Mary Guide edits English-facing material for Japanese originals in the series. She explains honorifics and sentence-final particles in plain English without turning every line into a lecture. She still listens to casual Japanese podcasts to keep colloquial markers feeling current in the notes.
  • Nora Harper: Nora Harper edits the English notes for Irish texts in the extensive-reading list. Initial mutations hide the form a learner would look up, so her first gloss gives the plain word beside the one on the page. She keeps the “tá … ag” way of owning things apart from the copula, because English “is” blurs both.
  • Pauline Bird: Pauline Bird adapts Chinese-language fiction for English readers in the graded-reader line. She helps decide when to gloss a measure word, a place name, or a four-character idiom, and when context can carry the load. She likes contemporary urban settings because they recycle high-frequency vocabulary in natural ways.
  • Renata Górski: Renata Górski przygotowuje polskie opracowania włoskiej beletrystyki w poziomach od A1 wzwyż. Wychodzi z założenia, że czytanie ma być przyjemnością, nie ćwiczeniem mechanicznym, więc czasem walczy z redakcją o jeden przymiotnik więcej, jeśli ratuje klimat sceny. Zna dobrze włoskie dialekty tylko z literatury, ale to wystarczy, żeby nie mylić Toskanii z północą w dialogu.
  • Rita Bergmann: Rita Bergmann redigiert vereinfachte italienische Texte mit deutscher Unterstützungsebene für die Serie. Regionale Marker—Norden, Süden, Stadt vs. Land—versieht sie mit leichten Hinweisen, wo sie die Handlung tragen. Ihr Ziel bleibt: flüssig lesen, ohne jede Zeile im Wörterbuch zu verbringen.
  • Rita Mounts: Rita Mounts works on English notes and simplified renderings for Italian fiction in the graded series. She watches out for regional markers—north versus south—that English readers might miss without a light gloss. Her goal is that someone on a commute can follow the plot without stopping every line.
  • Ruta Amber: Ruta Amber prepares the English commentary for Lithuanian texts in the graded-reader programme. Lithuanian leans on participles where English would open a new clause, so she unpacks the first few and then trusts repetition. She notes the diminutives that carry affection rather than size, which a literal gloss loses.
  • Sophie Stay-Maggot: Sophie Stay-Maggot works on English notes for Russian fiction in the graded series. She balances literary archaism with the labelled CEFR level, sometimes marking a form as “recognition only” so readers are not asked to produce it too early. She pays extra attention to names, patronymics, and diminutives that carry social information.
  • Theresa White: Theresa White edits English support text for Hebrew originals in the extensive-reading list. She distinguishes modern Israeli usage from biblical echoes when it matters for comprehension, and keeps glosses short enough not to bury the plot. She coordinates Hebrew spelling and vocalisation choices across a whole book so they stay consistent.
  • Zofia Postojska-Czerwień: Zofia Postojska-Czerwień redaguje polskie wersje rosyjskojęzycznych tekstów w serii dla samouków. Dobrze czuje różnice między współczesnym idiomem a archaizmem literackim i stara się nie mieszać ich w jednym poziomie trudności bez sygnału dla czytelnika. Lubi pracę nad dialogiem: rosyjski potrafi być bardzo bezpośredni, a polski wymaga czasem innego balansu grzecznościowego.
  • Мария Гибкая: Мария Гибкая работает с польскими падежными цепочками так, чтобы они подкрепляли сюжет, а не отвлекали от него. В сносках — минимальный парадигматический набор и один-два примера; задания строго на формы, встреченные в тексте. Перед печатью она сверяет падежные подсказки с фактическими формами в тексте, чтобы не осталось «висячих» ссылок на несуществующие окончания.

हर पुस्तक ईबुक (EPUB और PDF) और पेपरबैक के रूप में उपलब्ध है। कई शीर्षक ऑडियोबुक के रूप में भी: ऐप में वाचक पढ़ता है और हर शब्द कराओके की तरह हाइलाइट होता है।