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Leia leituras graduadas com dicionário integrado e exercícios de vocabulário.

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242 livros
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Inglês52Espanhol40Francês32Alemão20Russo17Italiano16Português13Dinamarquês8Neerlandês8Sueco8
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Checo1Chinês4Finlandês1Havaiano1Hebraico1Irlandês1Islandês4Japonês4Lituano1Norueguês4Polaco6
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E-bookCapa moleAudiolivro

242 livros

Cover of De avonturen van Sherlock Holmes – Dutch B1 graded reader
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De avonturen van Sherlock Holmes in Dutch at level B1 with dictionary

B1 Dutch Glossário: Inglês

by Arthur Conan Doyle 5.0(9)

A priceless jewel vanishes. A life hangs in the balance. Can you crack the case alongside the master detective? Absorb hundreds of real-world Dutch words and phrases effortlessly, building B1 vocabulary that truly sticks. A margin dictionary means you never break your reading flow....

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Cover of De avonturen van Sherlock Holmes – Dutch A2 graded reader
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De avonturen van Sherlock Holmes in Dutch at level A2 with dictionary

A2 Dutch Glossário: Inglês

by Arthur Conan Doyle 5.0(9)

The gas lamps flicker in foggy London, a chilling mystery just beginning. Absorb hundreds of real-world Dutch words and phrases effortlessly as you follow Holmes's brilliant deductions. A margin dictionary keeps you immersed, never breaking your reading flow....

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Cover of Sherlock Holmes' eventyr – Danish B2 graded reader
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Sherlock Holmes' eventyr in Danish at level B2 with dictionary

B2 Danish Glossário: Inglês

by Arthur Conan Doyle 5.0(8)

Step into the gaslit alleys of Victorian London, where every shadow hides a secret and only one mind can pierce the deception. Master B2 Danish vocabulary and grammar naturally, absorbing the language as you solve each thrilling case. A margin dictionary keeps your reading flow unbroken....

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Cover of הנסיך הקטן – Hebrew A1 graded reader
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הנסיך הקטן in Hebrew at level A1 with dictionary

A1 Hebrew Glossário: Inglês

by Antoine de Saint-Exupéry 5.0(9)

What if a tiny prince from a distant asteroid held the secret to seeing the world with your heart? Absorb essential Hebrew vocabulary and grammar naturally, building confidence with every page. A built-in dictionary means you never break your reading flow....

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Cover of Malý princ – Czech A1 graded reader
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Malý princ in Czech at level A1 with dictionary

A1 Czech Glossário: Inglês

by Antoine de Saint-Exupéry 5.0(17)

Imagine a tiny prince, a demanding rose, and a wise fox who teaches the true meaning of love. Absorb hundreds of essential Czech words and phrases effortlessly as you follow his unforgettable journey. With helpful glosses on every page, you'll never lose your way....

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Cover of Pikku prinssi – Finnish A1 graded reader
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Pikku prinssi in Finnish at level A1 with dictionary

A1 Finnish Glossário: Inglês

by Antoine de Saint-Exupéry 5.0(13)

Imagine meeting a tiny prince from a distant star, stranded with you in the vast desert. Absorb Finnish naturally as you follow his journey, building essential vocabulary effortlessly. A built-in glossary ensures you never lose your place or your learning flow....

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Cover of Orgullo y prejuicio – Spanish B2 graded reader
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Orgullo y prejuicio in Spanish at level B2 with dictionary

B2 Spanish Glossário: Inglês

by Jane Austen 5.0(2)

Could you ever fall for the man you swore to despise? Immerse yourself in this timeless romance, building your B2 Spanish vocabulary and comprehension effortlessly. A margin dictionary ensures you never break your reading flow....

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Cover of Mujercitas – Spanish A2 graded reader
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Mujercitas in Spanish at level A2 with dictionary

A2 Spanish Glossário: Inglês

by Louisa May Alcott 5.0(3)

Feel the warmth of family, the sting of loss, and the thrill of first love through the eyes of four unforgettable sisters. As you follow their journey, you'll naturally absorb essential Spanish vocabulary and grammar, building comprehension effortlessly. A built-in margin dictionary keeps you immersed, never breaking your reading flow....

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Cover of Алиса в Стране чудес – Russian B2 graded reader
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Алиса в Стране чудес in Russian at level B2 with dictionary

B2 Russian Glossário: Inglês

by Lewis Carroll 5.0(3)

Imagine falling into a world where logic bends, cats grin, and queens demand heads for tea. Master B2 Russian vocabulary and grammar effortlessly, immersed in Alice's bewildering journey through a world gone mad. A margin dictionary means you never break your reading flow....

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Cover of Алиса в Стране чудес – Russian B1 graded reader
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Алиса в Стране чудес in Russian at level B1 with dictionary

B1 Russian Glossário: Inglês

by Lewis Carroll 5.0(5)

Imagine tumbling down a rabbit hole into a world where logic bends and queens demand heads. Absorb hundreds of real-world Russian words and phrases naturally, building your B1 vocabulary and comprehension effortlessly. A margin dictionary means you never break your reading flow....

Buy E-Book €2.99
Cover of Алиса в Стране чудес – Russian A2 graded reader
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Алиса в Стране чудес in Russian at level A2 with dictionary

A2 Russian Glossário: Inglês

by Lewis Carroll 5.0(3)

Imagine falling into a world where logic bends and queens scream "Off with their heads!" Absorb hundreds of real-world Russian words and phrases effortlessly as you navigate Wonderland's chaos. A margin dictionary means you never break your reading flow....

Buy E-Book €1.99
Cover of Алиса в Стране чудес – Russian A1 graded reader
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Алиса в Стране чудес in Russian at level A1 with dictionary

A1 Russian Glossário: Inglês

by Lewis Carroll 5.0(2)

Imagine tumbling into a world where logic is upside down and a queen screams "Off with their heads!" Get lost in Alice's whimsical Russian adventure and effortlessly absorb hundreds of new words and phrases. A margin dictionary keeps you immersed without ever breaking your reading flow....

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Cover of Alice au pays des merveilles – French B2 graded reader
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Alice au pays des merveilles in French at level B2 with dictionary

B2 French Glossário: Inglês

by Lewis Carroll 5.0(5)

Shrink, grow, and navigate a world where "off with their heads!" is a common greeting. Absorb complex French structures and vocabulary naturally, building confidence with every madcap encounter. Contextual notes clarify tricky idioms and cultural nuances....

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Cover of Alice au pays des merveilles – French B1 graded reader
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Alice au pays des merveilles in French at level B1 with dictionary

B1 French Glossário: Inglês

by Lewis Carroll 5.0(1)

What if your next French lesson plunged you into a world of mad tea parties, grinning cats, and a queen who screams 'Off with their heads!'? Absorb hundreds of B1 French words and phrases effortlessly as you follow Alice's bizarre journey, building vocabulary that truly sticks....

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Cover of Alice au pays des merveilles – French A2 graded reader
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Alice au pays des merveilles in French at level A2 with dictionary

A2 French Glossário: Inglês

by Lewis Carroll 5.0(2)

One moment you're bored, the next you're shrinking, growing, and facing a furious queen who screams 'Off with their heads!' Master A2 French vocabulary and grammar naturally, absorbing hundreds of real-world words as you navigate Wonderland's whimsical chaos. Integrated vocabulary support keeps you immersed....

Buy E-Book €1.99
Cover of Alice au pays des merveilles – French A1 graded reader
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Alice au pays des merveilles in French at level A1 with dictionary

A1 French Glossário: Inglês

by Lewis Carroll 5.0(5)

One moment you're normal, the next you're tiny or towering, facing a queen who screams "Off with their heads!" Dive into this whimsical chaos and effortlessly absorb hundreds of real-world French words and phrases, building vocabulary that truly sticks....

Buy E-Book €1.99
Cover of Alicia en el país de las maravillas – Spanish A2 graded reader
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Alicia en el país de las maravillas in Spanish at level A2 with dictionary

A2 Spanish Glossário: Inglês

by Lewis Carroll 5.0(1)

What if your Spanish journey began with a frantic White Rabbit and a tea party that never ends? Master A2 Spanish naturally, absorbing essential grammar and vocabulary as you get lost in Alice's bizarre adventure. A margin dictionary means you never break your reading flow....

Buy E-Book €1.99
Cover of Alicia en el país de las maravillas – Spanish A1 graded reader
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Alicia en el país de las maravillas in Spanish at level A1 with dictionary

A1 Spanish Glossário: Inglês

by Lewis Carroll 5.0(3)

Imagine tumbling down a rabbit hole into a world where logic bends and cats grin. Absorb hundreds of real-world Spanish words and phrases effortlessly as you follow Alice's journey. A margin dictionary means you never break your reading flow....

Buy E-Book €1.99
Cover of Alice im Wunderland – German B2 graded reader
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Alice im Wunderland in German at level B2 with dictionary

B2 German Glossário: Inglês

by Lewis Carroll 5.0(7)

Imagine a world where tea parties are always mad, cats grin impossibly, and queens scream "Off with their heads!" Dive into Alice's bizarre German adventure and effortlessly absorb B2 vocabulary and grammar, building fluency that truly sticks....

Buy E-Book €2.99
Cover of Alice im Wunderland – German B1 graded reader
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Alice im Wunderland in German at level B1 with dictionary

B1 German Glossário: Inglês

by Lewis Carroll 5.0(6)

Tumble down the rabbit hole into a world where logic bends, cats grin, and queens demand heads. Absorb hundreds of B1 German words and phrases naturally, building comprehension effortlessly as you follow Alice's bizarre journey. A margin dictionary means you never break your reading flow....

Buy E-Book €2.99

Porque é que os Leitores Graduados Funcionam

A investigação confirma que a leitura extensiva é uma das formas mais eficazes de construir vocabulário e melhorar a fluência. Os leitores graduados ajustam a dificuldade do texto ao seu nível CEFR, para que cada página seja suficientemente desafiadora para aprender, mas suficientemente fácil para desfrutar. Cada livro inclui um dicionário ao lado do texto, exercícios por capítulo e prática de vocabulário online — tudo o que precisa num só pacote.

Formatos: e-book, capa mole e superaudiolivro

As nossas leituras graduadas são publicadas em vários formatos. O texto, o nível CEFR e o glossário são iguais em todos — só muda a forma de ler. Escolha o que combina com o seu dia: o e-book no telefone a caminho do trabalho, papel e lápis à secretária ou o superaudiolivro quando quiser ler e ouvir ao mesmo tempo.

E-book (EPUB e PDF). Descarrega os dois ficheiros logo após a compra e lê num leitor de e-books, no telefone, no tablet ou no computador. As palavras difíceis têm a tradução numa nota que se abre com um toque: um toque e volta à história, sem procurar no dicionário. Cada capítulo termina com exercícios de vocabulário, e um link leva a exercícios gratuitos online com as mesmas palavras.

Capa mole. Um livro clássico de capa mole, impresso a pedido e enviado pelo correio. O glossário está na margem, mesmo ao lado da palavra que explica, por isso nunca precisa de virar a página. Os capítulos terminam com palavras cruzadas e exercícios de vocabulário, e os códigos QR levam-no, pelo telefone, aos exercícios online. Uma boa escolha se gosta de escrever nos livros ou quer fazer uma pausa do digital.

Formatos nesta lista (242 livros): E-book: 242 · Capa mole: 231 · Superaudiolivro: 68.

O superaudiolivro: ler, ouvir e consultar o significado das palavras ao mesmo tempo

Um superaudiolivro é um audiolivro em formato karaoke. Um narrador lê o livro em voz alta enquanto tem à sua frente o mesmo texto, por onde um marcador avança palavra por palavra. Sabe sempre qual é a palavra que ouve, por isso nunca se perde — mesmo quando o narrador fala mais depressa do que lê. Os ouvidos mostram aos olhos como soa uma palavra escrita, os olhos mostram aos ouvidos como se escreve o que ouvem — e os dois caminhos fixam as mesmas palavras ao mesmo tempo.

A diferença nota-se sobretudo quando surge uma palavra desconhecida. Num audiolivro comum, desaparece num segundo; num superaudiolivro, fica ao seu alcance: as palavras do glossário estão marcadas a cor e basta manter uma pressionada para ver a tradução na sua língua. Confirma o significado, continua a ouvir e não perde o fio à meada. Com um controlo deslizante, ajusta a velocidade do narrador entre 0,5× e 1,5×: no início abranda para apanhar cada sílaba e, com o tempo, acelera até ao ritmo natural da fala. As palavras que encontra durante a leitura voltam depois em exercícios curtos na aplicação, como umas minipalavras cruzadas ou formar uma palavra a partir das letras.

Ler enquanto se ouve tem bom apoio na investigação. Num programa canadiano descrito por Lightbown e colegas (2002), crianças que durante três anos aprenderam inglês apenas desta forma — lendo livros enquanto ouviam as respetivas gravações — compreendiam a língua tão bem ou melhor do que os colegas com aulas tradicionais. Waring e Takaki (2003) mostraram que é preciso encontrar uma palavra pelo menos oito vezes para ter sequer 50% de probabilidade de a reconhecer três meses depois. Voltar a ouvir um capítulo dá-lhe exatamente esses encontros extra com as mesmas palavras, sem precisar de um texto novo.

Nos níveis A1 e A2, o superaudiolivro ajuda a ligar a ortografia à pronúncia — o que é especialmente útil em línguas que não se leem como se escrevem ou que usam outro alfabeto. Em B1 e B2, acompanha-o ao ritmo da fala real, para que se habitue a ouvir com fluência e deixe de parar a cada frase. Aos leitores avançados, o narrador muitas vezes não faz falta — por isso decide sempre quando o ligar e quando ler em silêncio.

O superaudiolivro funciona na aplicação Pentecost ou no navegador, no telefone, no tablet e no computador. Pode juntá-lo a um e-book: na página do livro, marque «Adicionar o audiolivro» no cartão do e-book; se já tiver o e-book, pode comprar a gravação à parte. Com o acesso ilimitado, ouve sem limite todos os superaudiolivros gravados e, todos os meses, pode desbloquear a gravação de um livro que ainda não a tem — é gravada para si e a aplicação avisa quando estiver pronta. O filtro Audiolivro mostra os títulos com gravação, e pode ouvir uma amostra gratuita sem criar conta.

Sobre os escritores e tradutores

Os escritores clássicos desta lista vêm primeiro; os editores da Pentecost que adaptaram estes leitores seguem no bloco seguinte.

  • Antoine de Saint-Exupéry: Antoine de Saint-Exupéry (1900–1944) was a French writer and aviator who drew on his own flying adventures. In 1944 his plane vanished over the Mediterranean during a reconnaissance flight, and the wreckage was only found more than half a century later.
  • Arthur Conan Doyle: Arthur Conan Doyle (1859–1930) was a Scottish physician and writer, the creator of Sherlock Holmes. The brilliant detective was modelled on his university teacher, Dr. Joseph Bell, famous for his razor-sharp powers of observation.
  • George Orwell: George Orwell (1903–1950) was the pen name of Eric Arthur Blair, an English writer who fought in the Spanish Civil War. He coined terms such as "Big Brother" and "Newspeak," and his name gave us the adjective "Orwellian."
  • Jane Austen: Jane Austen (1775–1817) was an English novelist whose books were published anonymously in her lifetime, signed only "By a Lady." She completed just six novels, and today her portrait appears on the British £10 note.
  • Jules Verne: Jules Verne (1828–1905) was a French writer known as the father of science fiction and one of the most translated authors in the world. In his novels he foresaw submarines and space travel long before they existed.
  • Lewis Carroll: Lewis Carroll (1832–1898) was the pen name of Charles Dodgson, an Oxford mathematician and logician. He invented the story of Alice during a boat trip, to entertain a real little girl named Alice Liddell.
  • Louisa May Alcott: Louisa May Alcott (1832–1888) was an American writer who grew up among the Transcendentalists — Ralph Waldo Emerson and Henry David Thoreau were family friends. She served as a nurse during the Civil War and, before her fame, published sensational thrillers under the male pen name A. M. Barnard.
  • Lucy Maud Montgomery: Lucy Maud Montgomery (1874–1942) was a Canadian writer from Prince Edward Island who set her novels in the landscapes of her childhood. Thanks to Anne of Green Gables, the island became a place of pilgrimage for readers from around the world.

Tradutores e editores

Os editores da Pentecost adaptam o vocabulário e as notas para que a história se mantenha clara no seu nível.

  • Aino Snow: Aino Snow adapts Finnish fiction for English-speaking readers in the graded-reader series. Finnish cases and consonant gradation get short, reusable glosses instead of a grammar essay on every page. She prefers footnotes that point forward—hinting that a form will return—so readers start to recognise patterns.
  • Angela Borderkeeper: Angela Borderkeeper adapts German-language stories for English readers who are building vocabulary through extensive reading. She balances literal clarity with readable English, especially where German stacks nouns or uses modal particles that do not map neatly. Her side notes focus on collocations learners will meet again in real newspapers and podcasts.
  • Aniela Pogranicznik: Aniela Pogranicznik przygotowuje polskie opracowania tekstów niemieckich w serii dla samouków. Zwraca uwagę na to, by zdania były krótkie tam, gdzie trzeba, ale żeby nie straciły naturalnego szyku — szczególnie w scenach dialogowych. Często wraca do swoich notatek z kursów dla nauczycieli, gdy układa glosariusze i przypisy do trudniejszych zwrotów.
  • Anne Frank: Anne Frank edits English support text for Dutch originals in the series. She is careful with false friends between Dutch and English and flags them early in the glossary. When a joke depends on word order, she looks for an English equivalent that keeps the beat of the scene instead of explaining the punchline away.
  • Catherine Thief: Catherine Thief edits English support layers for Portuguese originals, comparing European and Brazilian variants when the source mixes them. She prefers one clear editorial choice per title rather than hedging in every footnote. She reads aloud to catch phrasing that still sounds like translationese.
  • Christine Guardian: Christine Guardian edits graded-reader adaptations of French fiction for English-speaking adults. She keeps an eye on register—literary French can sound stiff in English if you translate every clause—and prefers footnotes that support the scene rather than pause it. She still reads long-form journalism in French to stay close to how people actually write today.
  • Clara Fieldlove: Clara Fieldlove edits English-language scaffolding around Spanish narratives for the extensive-reading list. She steers clear of over-literal cognates that mislead beginners and prefers short glosses tied to the immediate context. She has a soft spot for dialogue-heavy chapters where rhythm matters as much as vocabulary.
  • Edwina Finbow: Edwina Finbow edits English-facing material for Icelandic fiction in the graded-reader programme. Icelandic inflection and compound formation get one clear gloss at first occurrence, then lighter reminders. She likes crime and family drama where everyday vocabulary does most of the storytelling work.
  • Grace Earthland: Grace Earthland prepares English commentary for Norwegian texts in the graded-reader programme. Norwegian’s compact clauses can read abrupt in English; she smooths the seams while keeping the emotional temperature of the scene. She coordinates closely with whoever writes the chapter exercises so examples match the chapter’s new items.
  • Greta Thunderhill: Greta Thunderhill adapts Swedish fiction for English-speaking learners using the Pentecost graded format. She keeps an eye on compound words that look long but are common in Swedish, and explains them once where they recur. She likes endings where the payoff is emotional rather than lexical—those need the lightest touch in the notes.
  • Helen Rainbow: Helen Rainbow prepares the English support layer for Hawaiian texts in the graded-reader programme. The ʻokina and the kahakō change what a word means, so she keeps them in every gloss instead of tidying them away. She watches the a-class and o-class possessives, where English “my” hides a distinction Hawaiian insists on.
  • Inga Clay: Inga Clay prepares English-facing materials for Danish fiction in the graded-reader line. Danish often drops subjects; she makes sure the English scaffolding still feels natural while the original stays visible on the facing page or in the margin notes. She enjoys working on small-town settings where everyday vocabulary carries most of the plot.
  • Katarzyna Złodziej: Katarzyna Złodziej przygotowuje polskie teksty towarzyszące portugalskojęzycznej beletrystyce w serii na różne poziomy CEFR. Bacznie rozróżnia wariant europejski i brazylijski, gdy w oryginale ma to znaczenie. W pracy redakcyjnej woli jedną jasną decyzję niż pięć kompromisów, które rozmywają głos narratora.
  • Klara Linden: Klara Linden adapts Czech fiction for English-speaking readers in the Pentecost graded line. Seven cases and verb aspect carry what English does with prepositions and auxiliaries; she glosses an aspect pair once and lets the story repeat it. She points out where Czech word order carries the emphasis English would mark with stress.
  • Klara Polanowicz: Klara Polanowicz tłumaczy i upraszcza hiszpańskojęzyczne narracje dla polskich czytelników w serii lektur gradowanych. Często pracuje nad rejestrem: hiszpański z Ameryki Łacińskiej i z Półwyspu wymaga innych decyzji po polsku. W przypisach stawia na krótkość i kontekst, żeby słownik nie zasłaniał fabuły.
  • Krystyna Strażnik: Krystyna Strażnik od lat zajmuje się przekładem i redakcją tekstów literackich z francuskiego na polski dla dorosłych czytelników. W pracy nad wersjami uproszczonymi pilnuje, by poziom słownictwa zgadzał się z etykietą CEFR, a jednocześnie nie gubił się humor ani rytm dialogów. Prywatnie dużo czyta współczesną prozę francuskojęzyczną i chętnie poleca tytuły, które dobrze brzmią także po polsku.
  • Małgorzata Strzecharz: Małgorzata Strzecharz redaguje polskie wersje uproszczonych lektur do nauki angielskiego — od poziomów początkowych po średniozaawansowane. Łączy doświadczenie szkolne z pracą przy materiałach do czytania ekstensywnego: ważne jest dla niej, żeby bohaterowie nie brzmieli jak sztucznie uproszczone manekiny. Po godzinach i tak sięga po anglojęzyczne kryminały, bo lubi sprawdzać, jak brzmi żywy, współczesny idiom.
  • Margarete Reetdachdeckerin: Margarete Reetdachdeckerin verantwortet die deutsche Bearbeitung begleitender Texte zu englischsprachigen Lektüren der gestuften Reihe. Sie erklärt Phrasal verbs und idiomatische Kurzformen so, dass sie im Kapitel wiedererkennbar werden, ohne dass jede Seite zur Grammatiktafel wird. Sie liest laut, wenn ein Dialog noch nach Übungsbuch klingt.
  • Margherita Tettaiola: Margherita Tettaiola scrive e rivede testi in inglese con un occhio al lettore che passa dalle scuole superiori a esigenze professionali. Si occupa soprattutto di rendere le sfumature colloquiali comprensibili, senza cadere in calchi che suonano finti agli nativi. I glossari che prepara privilegiano le collocazioni, quelle combinazioni di parole che fanno suonare naturale una frase. Quando introduce un autore, preferisce poche biografie fattuali e un contesto culturale che renda plausibili le scelte stilistiche.
  • Marie Bender: Marie Bender adapts Polish literary texts for English speakers learning Polish through parallel reading and footnoted editions. She explains case endings and aspect pairs in short, plain English, then lets the Polish carry the voice of the narrator. She reads each chapter twice: once for accuracy, once for pace.
  • Mary Guide: Mary Guide edits English-facing material for Japanese originals in the series. She explains honorifics and sentence-final particles in plain English without turning every line into a lecture. She still listens to casual Japanese podcasts to keep colloquial markers feeling current in the notes.
  • Nora Harper: Nora Harper edits the English notes for Irish texts in the extensive-reading list. Initial mutations hide the form a learner would look up, so her first gloss gives the plain word beside the one on the page. She keeps the “tá … ag” way of owning things apart from the copula, because English “is” blurs both.
  • Pauline Bird: Pauline Bird adapts Chinese-language fiction for English readers in the graded-reader line. She helps decide when to gloss a measure word, a place name, or a four-character idiom, and when context can carry the load. She likes contemporary urban settings because they recycle high-frequency vocabulary in natural ways.
  • Renata Górski: Renata Górski przygotowuje polskie opracowania włoskiej beletrystyki w poziomach od A1 wzwyż. Wychodzi z założenia, że czytanie ma być przyjemnością, nie ćwiczeniem mechanicznym, więc czasem walczy z redakcją o jeden przymiotnik więcej, jeśli ratuje klimat sceny. Zna dobrze włoskie dialekty tylko z literatury, ale to wystarczy, żeby nie mylić Toskanii z północą w dialogu.
  • Rita Bergmann: Rita Bergmann redigiert vereinfachte italienische Texte mit deutscher Unterstützungsebene für die Serie. Regionale Marker—Norden, Süden, Stadt vs. Land—versieht sie mit leichten Hinweisen, wo sie die Handlung tragen. Ihr Ziel bleibt: flüssig lesen, ohne jede Zeile im Wörterbuch zu verbringen.
  • Rita Mounts: Rita Mounts works on English notes and simplified renderings for Italian fiction in the graded series. She watches out for regional markers—north versus south—that English readers might miss without a light gloss. Her goal is that someone on a commute can follow the plot without stopping every line.
  • Ruta Amber: Ruta Amber prepares the English commentary for Lithuanian texts in the graded-reader programme. Lithuanian leans on participles where English would open a new clause, so she unpacks the first few and then trusts repetition. She notes the diminutives that carry affection rather than size, which a literal gloss loses.
  • Sophie Stay-Maggot: Sophie Stay-Maggot works on English notes for Russian fiction in the graded series. She balances literary archaism with the labelled CEFR level, sometimes marking a form as “recognition only” so readers are not asked to produce it too early. She pays extra attention to names, patronymics, and diminutives that carry social information.
  • Theresa White: Theresa White edits English support text for Hebrew originals in the extensive-reading list. She distinguishes modern Israeli usage from biblical echoes when it matters for comprehension, and keeps glosses short enough not to bury the plot. She coordinates Hebrew spelling and vocalisation choices across a whole book so they stay consistent.
  • Zofia Postojska-Czerwień: Zofia Postojska-Czerwień redaguje polskie wersje rosyjskojęzycznych tekstów w serii dla samouków. Dobrze czuje różnice między współczesnym idiomem a archaizmem literackim i stara się nie mieszać ich w jednym poziomie trudności bez sygnału dla czytelnika. Lubi pracę nad dialogiem: rosyjski potrafi być bardzo bezpośredni, a polski wymaga czasem innego balansu grzecznościowego.
  • Мария Гибкая: Мария Гибкая работает с польскими падежными цепочками так, чтобы они подкрепляли сюжет, а не отвлекали от него. В сносках — минимальный парадигматический набор и один-два примера; задания строго на формы, встреченные в тексте. Перед печатью она сверяет падежные подсказки с фактическими формами в тексте, чтобы не осталось «висячих» ссылок на несуществующие окончания.

Cada livro está disponível como ebook (EPUB e PDF) e em papel. Muitos títulos também como audiolivro: um narrador lê no aplicativo enquanto cada palavra se acende, como no karaokê.