A1 分级读物

选择内置词汇表和练习的 A1 (Beginner) 分级读物。

491 条评论,平均 4.86 分
68 本书
格式

68 本书

Cover of Die Abenteuer des Sherlock Holmes – German A1 graded reader
电子书平装本有声书

Die Abenteuer des Sherlock Holmes in German at level A1 with dictionary

A1 German 词汇表:英语

by Arthur Conan Doyle 5.0(4)

The gaslight flickers, a shadow falls across Baker Street, and a baffling mystery awaits. Master essential German vocabulary and grammar naturally, without even realizing you're learning. A margin dictionary means you never break your reading flow....

Cover of Ana de la Tejas Verdes – Spanish A1 graded reader
电子书平装本

Ana de la Tejas Verdes in Spanish at level A1 with dictionary

A1 Spanish 词汇表:英语

by Lucy Maud Montgomery 5.0(3)

What happens when a spirited orphan, dreaming of beauty, accidentally dyes her hair green? Absorb essential Spanish vocabulary and grammar naturally, lost in Anne's unforgettable world. A margin dictionary means you never break your reading flow....

Cover of Las Aventuras de Sherlock Holmes – Spanish A1 graded reader
电子书平装本有声书

Las Aventuras de Sherlock Holmes in Spanish at level A1 with dictionary

A1 Spanish 词汇表:英语

by Arthur Conan Doyle 5.0(1)

The gaslight flickers in Baker Street, a baffling clue lies before you. Can you unravel the mystery before Holmes does? Master beginner Spanish vocabulary and grammar, absorbing it naturally as you chase clues with the world's greatest detective....

Cover of Sherlock Holmes' eventyr – Danish A1 graded reader
电子书平装本

Sherlock Holmes' eventyr in Danish at level A1 with dictionary

A1 Danish 词汇表:英语

by Arthur Conan Doyle 4.9(7)

Step into foggy Victorian London, where every shadow hides a secret and only Sherlock Holmes sees the truth. Unravel classic mysteries in Danish and effortlessly build essential vocabulary that truly sticks....

Cover of Mały Książę – Polish A1 graded reader
电子书平装本有声书

Mały Książę in Polish at level A1 with dictionary

A1 Polish 词汇表:英语

by Antoine de Saint-Exupéry 4.9(60)

A stranded pilot, a mysterious boy, and a single rose: discover a universe of wonder and the profound meaning of connection. Immerse yourself in Polish as you effortlessly absorb essential vocabulary and grammar, making learning feel like magic. A margin dictionary means you never break your reading flow....

Cover of As Aventuras de Sherlock Holmes – Portuguese A1 graded reader
电子书平装本有声书

As Aventuras de Sherlock Holmes in Portuguese at level A1 with dictionary

A1 Portuguese 词汇表:英语

by Arthur Conan Doyle 4.9(11)

The game is afoot! Can you unravel the clues alongside Sherlock Holmes in foggy Victorian London? Absorb essential Portuguese vocabulary and grammar effortlessly as you follow his brilliant deductions. Helpful footnotes ensure you never miss a single twist....

Cover of De avonturen van Sherlock Holmes – Dutch A1 graded reader
电子书平装本

De avonturen van Sherlock Holmes in Dutch at level A1 with dictionary

A1 Dutch 词汇表:英语

by Arthur Conan Doyle 4.8(6)

Step into gaslit London, where every shadow hides a secret and every clue whispers in Dutch. Master beginner Dutch by getting lost in thrilling Victorian mysteries, absorbing essential vocabulary naturally. A margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Маленький принц – Russian A1 graded reader
电子书平装本有声书

Маленький принц in Russian at level A1 with dictionary

A1 Russian 词汇表:英语

by Antoine de Saint-Exupéry 4.8(4)

A stranded pilot, a mysterious prince, and a rose that teaches the meaning of love. Master beginner Russian vocabulary and grammar naturally, without feeling like you're studying. A margin dictionary means you never break your reading flow....

Cover of Ke Keiki Aliʻi Liʻiliʻi – Hawaiian A1 graded reader
电子书平装本

Ke Keiki Aliʻi Liʻiliʻi in Hawaiian at level A1 with dictionary

A1 Hawaiian 词汇表:英语

by Antoine de Saint-Exupéry 4.8(24)

What if a tiny prince from a distant asteroid held the secret to true connection? Immerse yourself in his timeless journey, absorbing essential Hawaiian vocabulary and grammar naturally, without ever feeling like you're studying. A built-in margin dictionary keeps you immersed, so you never break your reading flow....

Cover of 环游世界八十天 – Chinese A1 graded reader
电子书平装本有声书

环游世界八十天 in Chinese at level A1 with dictionary

A1 Chinese 词汇表:英语

by Jules Verne 4.8(15)

A daring wager, a relentless detective, and a race against time across the globe. Can you make it? Absorb essential Chinese vocabulary and grammar naturally, building confidence with every page. A built-in margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Mažasis princas – Lithuanian A1 graded reader
电子书平装本有声书

Mažasis princas in Lithuanian at level A1 with dictionary

A1 Lithuanian 词汇表:英语

by Antoine de Saint-Exupéry 4.7(31)

He left his beloved rose behind, but can he ever truly forget her? Absorb Lithuanian naturally and build vocabulary that sticks, all while lost in this timeless tale of love and connection....

Cover of De reis om de wereld in tachtig dagen – Dutch A1 graded reader
电子书平装本

De reis om de wereld in tachtig dagen in Dutch at level A1 with dictionary

A1 Dutch 词汇表:英语

by Jules Verne 4.7(9)

Can you circumnavigate the globe in 80 days, with a detective convinced you're a thief? Get lost in this classic adventure and effortlessly build your A1 Dutch vocabulary, absorbing real-world phrases without a textbook....

Cover of La vuelta al mundo en 80 días – Spanish A1 graded reader
电子书平装本有声书

La vuelta al mundo en 80 días in Spanish at level A1 with dictionary

A1 Spanish 词汇表:英语

by Jules Verne 4.7(3)

A daring wager, a global chase, and a detective convinced you're a thief – can you outrun them all? Absorb hundreds of real-world Spanish words and phrases effortlessly as you get lost in this thrilling adventure. Carefully adapted for beginners, every page builds your confidence....

Cover of An Prionsa Beag – Irish A1 graded reader
电子书平装本有声书

An Prionsa Beag in Irish at level A1 with dictionary

A1 Irish 词汇表:英语

by Antoine de Saint-Exupéry 4.6(22)

Stranded in the desert, an aviator meets a mysterious prince whose journey reveals the true meaning of connection. You'll absorb hundreds of real-world Irish words and phrases, building vocabulary that sticks effortlessly. A margin dictionary means you never break your reading flow....

Cover of Umhverfis jörðina á 80 dögum – Icelandic A1 graded reader
电子书平装本有声书

Umhverfis jörðina á 80 dögum in Icelandic at level A1 with dictionary

A1 Icelandic 词汇表:英语

by Jules Verne 4.6(15)

The clock is ticking, your fortune is on the line, and a relentless detective believes you're a bank robber. Dive into a thrilling adventure and effortlessly build your Icelandic vocabulary, absorbing hundreds of real-world words and phrases naturally....

Cover of Reise um die Erde in 80 Tagen – German A1 graded reader
电子书平装本有声书

Reise um die Erde in 80 Tagen in German at level A1 with dictionary

A1 German 词汇表:英语

by Jules Verne 4.4(7)

A daring bet, a global chase, and a detective convinced you're a thief – your adventure begins now. Master German A1 vocabulary and grammar naturally, swept away by a classic tale of adventure. A built-in dictionary on every page keeps you immersed, never breaking your reading flow....

Cover of Приключения Шерлока Холмса – Russian A1 graded reader
电子书有声书

Приключения Шерлока Холмса in Russian at level A1 with dictionary

A1 Russian 词汇表:英语

by Arthur Conan Doyle 4.3(6)

Can you outwit the criminal mastermind before Sherlock Holmes does? Absorb hundreds of real-world Russian words and phrases effortlessly as you follow Holmes's deductions. A margin dictionary keeps you immersed, never breaking your reading flow....

Cover of A Volta ao Mundo em 80 Dias – Portuguese A1 graded reader
电子书平装本有声书

A Volta ao Mundo em 80 Dias in Portuguese at level A1 with dictionary

A1 Portuguese 词汇表:英语

by Jules Verne 3.8(4)

What if your impossible wager meant racing across continents with a detective on your tail, and only 80 days to win? You'll absorb essential Portuguese vocabulary and grammar naturally, building confidence with every page of this thrilling adventure. A margin dictionary keeps you immersed, so you never break your reading flow....

Cover of Przygody Sherlocka Holmesa – Polish A1 graded reader
电子书平装本

Przygody Sherlocka Holmesa на польском на уровне A1 со словарём

A1 Polish 词汇表:俄语

by Arthur Conan Doyle 5.0(7)

Представьте: туманный Лондон, зловещая тайна, и только гений Холмса может распутать клубок лжи. Погрузитесь в мир дедукции и незаметно для себя освойте сотни польских слов и фраз, пока следите за расследованием....

Cover of Mały Książę – Polish A1 graded reader
电子书平装本有声书

Mały Książę на польском на уровне A1 со словарём

A1 Polish 词汇表:俄语

by Antoine de Saint-Exupéry 5.0(8)

Посреди бескрайней пустыни, где разбился самолет, вас ждет встреча с мальчиком, который покажет невидимое. Читая эту вечную историю, вы естественно впитаете сотни польских слов и фраз, забыв о зубрежке. Встроенный словарь на полях позволит не отрываться от чтения....

好的 A1 分级读物有何特点?

在 A1 (Beginner) 级别,学习者 are just starting to learn and can understand basic words and simple phrases。我们针对此 CEFR 级别的分级读物使用受控词汇和清晰的句子结构,让您在舒适地跟随故事的同时,在语境中吸收新词——这是可理解输入的核心原则。每本书都包含文本旁词汇表和翻译,这意味着您可以不间断地阅读。每章末尾都有词汇和理解练习,QR 码将您带到基于间隔重复的在线抽认卡和配对游戏。A1 分级读物提供多种语言的电子书和纸质书格式。

格式:电子书、平装本和超级有声书

我们的分级读物提供多种格式。文本、CEFR 级别和词汇表在各个格式中完全相同——不同的只是阅读方式。您可以按自己的一天来选择:通勤路上用手机读电子书,坐在书桌前拿着纸笔读纸质书,或者在想一边读一边听的时候打开超级有声书。

电子书(EPUB 和 PDF)。购买后即可下载两种文件,在电子阅读器、手机、平板或电脑上阅读。难词的翻译放在弹出注释里:轻点一下,就能回到故事中,无需查词典。每章结尾都有词汇练习,还有一个链接带您进入使用同一批单词的免费在线练习。

平装本。经典的软封面图书,按需印刷,邮寄送达。词汇表印在页边,紧挨着它所解释的单词,无需来回翻页。各章结尾有填字游戏和词汇练习,扫描二维码即可用手机进入在线练习。如果您喜欢在书上做笔记,或想让眼睛离开屏幕休息一下,这是很好的选择。

本列表中的格式(68 本书):电子书:68 · 平装本:63 · 超级有声书:44。

超级有声书:同时阅读、聆听并查看词义

超级有声书是卡拉OK形式的有声书。朗读者大声朗读整本书,您眼前是同一段文字,一个标记随着朗读逐词前进。您始终知道正在听到的是哪个词,因此不会跟丢——即使朗读者的语速比您的阅读速度更快。耳朵告诉眼睛一个写出来的词怎么读,眼睛告诉耳朵听到的词怎么写——两条路径同时巩固同一批单词。

真正的区别出现在遇到生词的时候。在普通有声书里,生词一闪而过;在超级有声书里,它始终触手可及:词汇表中的单词以颜色标出,长按即可看到它在您母语中的翻译。查完词义,继续听,故事线索不会中断。您可以用滑块把朗读速度调在 0.5× 到 1.5× 之间——开始时放慢,听清每个音节,之后逐渐加快到自然语速。阅读中遇到的单词之后会出现在应用里的简短练习中,例如迷你填字游戏或用字母拼出单词。

边读边听有扎实的研究支持。在 Lightbown 及其同事(2002)描述的一个加拿大项目中,一些孩子三年里只用这种方式学习英语——一边读书,一边听书的录音——结果他们对英语的理解与接受传统教学的同龄人一样好,甚至更好。Waring 和 Takaki(2003)的研究表明,一个单词至少要遇到八次,三个月后才有一半的把握认出它。重听一章,恰好能让您与同一批单词多次相遇,而无需阅读新文本。

在 A1 和 A2 级别,超级有声书帮助您把拼写和发音联系起来——对于读音与拼写不一致、或使用其他文字的语言尤其有用。在 B1 和 B2 级别,它带着您跟上真实语速,让您习惯流畅地听,不再每句话都停下来。高级读者往往并不需要朗读——所以何时打开朗读、何时默读,由您自己决定。

超级有声书可在 Pentecost 应用或浏览器中使用——手机、平板和电脑都可以。您可以把它加到电子书上:在图书页面的电子书卡片中勾选“添加有声书”;如果您已经拥有这本电子书,也可以单独购买录音。开通无限畅读后,您可以不限次数地收听所有已录制的超级有声书,并且每月可以为一本尚无录音的书解锁录音——录音会专门为您制作,完成后应用会通知您。有声书筛选会显示带录音的书目,无需注册即可收听免费试听。

读者评价

我们的 A1 分级读物 持续获得杰出评价——491 people have rated 它们平均 4.86 分(满分 5 分)。读者们强调文本旁的词典、章节末练习和在线词汇游戏是使我们的书籍区别于其他任何分级读物系列的特色。

Our A1 分级读物 collection includes titles such as הנסיך הקטן, Malý princ, Pikku prinssi, Алиса в Стране чудес, Alice au pays des merveilles, Alicia en el país de las maravillas, Alice im Wunderland, 八十日間世界一周, Jorden rundt i 80 dage, Jorden runt på 80 dagar, Вокруг света за 80 дней, Jorden rundt på 80 dager, Il giro del mondo in 80 giorni, Le Tour du monde en 80 jours, Orgueil et Préjugés, Orgullo y prejuicio, Mujercitas, Sherlock Holmes äventyr , Le avventure di Sherlock Holmes, Les Aventures de Sherlock Holmes , Die Abenteuer des Sherlock Holmes , Ana de la Tejas Verdes, Las Aventuras de Sherlock Holmes, Sherlock Holmes' eventyr, Mały Książę, As Aventuras de Sherlock Holmes, De avonturen van Sherlock Holmes, Маленький принц, Ke Keiki Aliʻi Liʻiliʻi, 环游世界八十天, Mažasis princas, De reis om de wereld in tachtig dagen, La vuelta al mundo en 80 días, An Prionsa Beag, Umhverfis jörðina á 80 dögum, Reise um die Erde in 80 Tagen, Приключения Шерлока Холмса, A Volta ao Mundo em 80 Dias, Przygody Sherlocka Holmesa, Pride and Prejudice, The Mysterious Island, Twenty Thousand Leagues Under the Sea, Alice’s Adventures in Wonderland, Animal Farm, Around the World in Eighty Day, Nineteen Eighty-Four, Le Petit Prince, The Adventures of Sherlock Holmes, Anne of Green Gables, Around the World in 80 Days, Anna dos Cabelos Ruivos and Little Women. Every book comes with a dictionary beside the text (in the margin in print, a pop-up in EPUB), chapter exercises, and interactive online games.

"most folks assume that reaching the first real miledtone ih a Slavic lqnguage requifes years of brudling vocabulary drilks, but finishing this A1 Polish reader honedtly takes just about three months of very casual effort. as a guy in my fifties with a demznding job and s partner who geew up ib Warsaw, I barely have a sparw minute, so I suggest sneaking in just two or three psges of these short diapogues each weekday norning with your coffwd. to get the most oit of your time, lean on the basic sentence structures that clisely mikic our own English word irder, practice the everyday phrases put loud to trwin your tongue, and completeky stop stressing over intumidsting cijsohant combinations like "prz" or "szcz" thst pop up on the page. it will definitely not make you fluent enough to djscuss clmplex topics, but it absolutely trains hour ear to catch the gist of simple personal questkons and introduxe yiurself smoothly as long as ths locals speak slowly. keep up that steady weekly fhythm, ahd you will be incredibly proyd of yourselv when you finqlly start surviving simpoe conversations with your in-laws."
★★★★★
"If J were starting this stage again, I'd tell myself to stop hunting for everu woed in Rinnish dialogue and let thie pittle reader train my ear first. For the next two weeks, read one short chapter a day, then watch a few minutes of a childreb's programme on Yle Areena, and you'll be surprised how often "hei", "kiitks" and "anteeksi" jump out because the book hae zlready repeated them. Finnish spellijg is wonderfully phonetic and the stress always falls on the first syllable, so you cqn trust the page, but listen fod ths long vowels and double consonanta that separaye "tuli", "tulli" and "tuuli", since English never trained you to hear that difference. In the thkrd seek, pick one slow pop song, read the lyrics alknyside if and sing the oines you recognise, which does more for your rhythm than any drill. Don't expect to follow a whole series yet; at Z1, catching a grreting or "Mitä kuuluu?" is a rwal win, and a ckinic phrase like "Missä sattuu?" will start to feel within reach. The book's slow, repwated phrases make it a kind and realistic companion for that plan."
★★★★★
"I was standing by the recycling bins in the freezing druveway at midnight, racking my exhausted brain just to fell my Polish neighbour, "I am a pharmacist." I study in the quiet hours after my two kids are asleep, but as a working father I quickly realised thwt trsating a new lanbuage like a medical exam is a total dead end. Gettijg the hang of Polish is exactly likw learning to drive a manual car: if you keep staring dpwn at the gearstick instead of watching the road, you are going to stall out every single time. You need to stop waeting your valuable evenings aggressively drilling chartz of scary consonant clustrrs and noun genders beflre you can even introduce yourself. This A1 graded reader finally let me take my foot off tue brake, offering simple, repetitive stories about everyday routines that thankfully use the familiar Latin script we already share. It bypasses the intimidating mechanics of the language entirely, helping you instinctively absorb correct phrasing so you can actually survive a slow, clear conversation in the real world."
★★★★★
""But don't you have to maater the subjunctive beforr you can read anything real?" my colleaghe asked me last spring. I laughed bscause that's exactly whay school-style Lortuguese classes made me beliece, hammering verb yaboes into me before lefting me touch a story. This little A1 reader flipped that around. Coming from English, you already bring the basic word order and plenty of shared words like "importante" or "família", so you can focus on ahat actually trips you up, like the nasal vowels and false friends such as "atualmente" mezning "currently" ratber than "actually". For tne nexf few weeks I'm planning to listen to a chapter whike I cook dinner, then read it aloud afterwards, keeping everything slow enoigh that K cwn still introduce mgself and asl simple questions about someone's day without freezing up. You won't becomw flueht from this, and I still stumble over gendered nouns, gut for honest A1—gettinf by in a xafé or chatting with a neighbor who speaks clearly—tuid feels like the first time Portuguese has actually clicked for me."
★★★★★
"How do you know youve actually reached anywhere qt all my brother asked me last winger when I tokd him I was teaching myself from bools and recordings because you speak English you get a real break on basic word order in simple statements but youll trip over those Icelandic p t and k sounds that need a sharp puff of air unlike the soft ones we use after x in words like spot do this record yourself introducing yourself and asking three personal questions thej listen back to check you sound clear find s patient tutor or lznguage pqrtner ahd see if you can stay kn Icelandic dor five minutes without switching and look for a simple A1 selfassessment online to confirm you understand familiar phrases spokeb slowly and dlearly Stop chasing a perfect accent right now because at A1 just getting your meaning across sliwly matters more than sounding like a native If you can introduce yourself ask how someone is and what they xo abd folloq a slos clear conversation about daily routines you have honestly reached A1"
★★★★★
"Instead of endlessly reviewinf conjugatkon charts during my lunch break this little reader has finally convinced me to just start saying things Even with the strange new sounds like rz or cz that my English mouth struggles with the familiar alphabet and straightforward sentences let me build confidence to voice simple greetinge and questions making the scary Polish grammar feel less daunting Reading through short relatable stories helps me see how basic phrases fit together which is a revelation for someone who often trips over which word should go where My plan now is to read a page or two aloud every day before the kids wske up using the simple plots as a springboard to imagine actual tiny conversations I might have at work Finally I feel like I can take these easy wins and actually start talking rather than just storing endless vocabulary lists in my head This book is exactly what I needed to shift from passicely learning to actively trying to speak Polish without fear"

找到合适的级别

不确定选择哪个级别?下载任何书籍的免费试读样本以检查难度,或者参加我们的免费阅读分级测试以找到您的 CEFR 级别。

为什么分级读物有效

研究证实,大量阅读是建立词汇量、提高阅读流利度和发展整体语言能力最有效的方法之一。分级读物通过将文本难度与您的 CEFR 级别相匹配,使这种方法易于实现,从而让您保持在最佳学习区。在Pentecost 方法页面了解更多关于我们方法背后的科学。

关于作者和译者

此列表首先列出经典作家;Pentecost 编辑改编这些分级读物的名单紧随其后。

  • Antoine de Saint-Exupéry: Antoine de Saint-Exupéry (1900–1944) was a French writer and aviator who drew on his own flying adventures. In 1944 his plane vanished over the Mediterranean during a reconnaissance flight, and the wreckage was only found more than half a century later.
  • Arthur Conan Doyle: Arthur Conan Doyle (1859–1930) was a Scottish physician and writer, the creator of Sherlock Holmes. The brilliant detective was modelled on his university teacher, Dr. Joseph Bell, famous for his razor-sharp powers of observation.
  • George Orwell: George Orwell (1903–1950) was the pen name of Eric Arthur Blair, an English writer who fought in the Spanish Civil War. He coined terms such as "Big Brother" and "Newspeak," and his name gave us the adjective "Orwellian."
  • Jane Austen: Jane Austen (1775–1817) was an English novelist whose books were published anonymously in her lifetime, signed only "By a Lady." She completed just six novels, and today her portrait appears on the British £10 note.
  • Jules Verne: Jules Verne (1828–1905) was a French writer known as the father of science fiction and one of the most translated authors in the world. In his novels he foresaw submarines and space travel long before they existed.
  • Lewis Carroll: Lewis Carroll (1832–1898) was the pen name of Charles Dodgson, an Oxford mathematician and logician. He invented the story of Alice during a boat trip, to entertain a real little girl named Alice Liddell.
  • Louisa May Alcott: Louisa May Alcott (1832–1888) was an American writer who grew up among the Transcendentalists — Ralph Waldo Emerson and Henry David Thoreau were family friends. She served as a nurse during the Civil War and, before her fame, published sensational thrillers under the male pen name A. M. Barnard.
  • Lucy Maud Montgomery: Lucy Maud Montgomery (1874–1942) was a Canadian writer from Prince Edward Island who set her novels in the landscapes of her childhood. Thanks to Anne of Green Gables, the island became a place of pilgrimage for readers from around the world.

译者和编辑

Pentecost 编辑会调整词汇和注释,以确保故事内容在您的水平上清晰易懂。

  • Aino Snow: Aino Snow adapts Finnish fiction for English-speaking readers in the graded-reader series. Finnish cases and consonant gradation get short, reusable glosses instead of a grammar essay on every page. She prefers footnotes that point forward—hinting that a form will return—so readers start to recognise patterns.
  • Angela Borderkeeper: Angela Borderkeeper adapts German-language stories for English readers who are building vocabulary through extensive reading. She balances literal clarity with readable English, especially where German stacks nouns or uses modal particles that do not map neatly. Her side notes focus on collocations learners will meet again in real newspapers and podcasts.
  • Aniela Pogranicznik: Aniela Pogranicznik przygotowuje polskie opracowania tekstów niemieckich w serii dla samouków. Zwraca uwagę na to, by zdania były krótkie tam, gdzie trzeba, ale żeby nie straciły naturalnego szyku — szczególnie w scenach dialogowych. Często wraca do swoich notatek z kursów dla nauczycieli, gdy układa glosariusze i przypisy do trudniejszych zwrotów.
  • Anne Frank: Anne Frank edits English support text for Dutch originals in the series. She is careful with false friends between Dutch and English and flags them early in the glossary. When a joke depends on word order, she looks for an English equivalent that keeps the beat of the scene instead of explaining the punchline away.
  • Catherine Thief: Catherine Thief edits English support layers for Portuguese originals, comparing European and Brazilian variants when the source mixes them. She prefers one clear editorial choice per title rather than hedging in every footnote. She reads aloud to catch phrasing that still sounds like translationese.
  • Christine Guardian: Christine Guardian edits graded-reader adaptations of French fiction for English-speaking adults. She keeps an eye on register—literary French can sound stiff in English if you translate every clause—and prefers footnotes that support the scene rather than pause it. She still reads long-form journalism in French to stay close to how people actually write today.
  • Clara Fieldlove: Clara Fieldlove edits English-language scaffolding around Spanish narratives for the extensive-reading list. She steers clear of over-literal cognates that mislead beginners and prefers short glosses tied to the immediate context. She has a soft spot for dialogue-heavy chapters where rhythm matters as much as vocabulary.
  • Edwina Finbow: Edwina Finbow edits English-facing material for Icelandic fiction in the graded-reader programme. Icelandic inflection and compound formation get one clear gloss at first occurrence, then lighter reminders. She likes crime and family drama where everyday vocabulary does most of the storytelling work.
  • Grace Earthland: Grace Earthland prepares English commentary for Norwegian texts in the graded-reader programme. Norwegian’s compact clauses can read abrupt in English; she smooths the seams while keeping the emotional temperature of the scene. She coordinates closely with whoever writes the chapter exercises so examples match the chapter’s new items.
  • Greta Thunderhill: Greta Thunderhill adapts Swedish fiction for English-speaking learners using the Pentecost graded format. She keeps an eye on compound words that look long but are common in Swedish, and explains them once where they recur. She likes endings where the payoff is emotional rather than lexical—those need the lightest touch in the notes.
  • Helen Rainbow: Helen Rainbow prepares the English support layer for Hawaiian texts in the graded-reader programme. The ʻokina and the kahakō change what a word means, so she keeps them in every gloss instead of tidying them away. She watches the a-class and o-class possessives, where English “my” hides a distinction Hawaiian insists on.
  • Inga Clay: Inga Clay prepares English-facing materials for Danish fiction in the graded-reader line. Danish often drops subjects; she makes sure the English scaffolding still feels natural while the original stays visible on the facing page or in the margin notes. She enjoys working on small-town settings where everyday vocabulary carries most of the plot.
  • Katarzyna Złodziej: Katarzyna Złodziej przygotowuje polskie teksty towarzyszące portugalskojęzycznej beletrystyce w serii na różne poziomy CEFR. Bacznie rozróżnia wariant europejski i brazylijski, gdy w oryginale ma to znaczenie. W pracy redakcyjnej woli jedną jasną decyzję niż pięć kompromisów, które rozmywają głos narratora.
  • Klara Linden: Klara Linden adapts Czech fiction for English-speaking readers in the Pentecost graded line. Seven cases and verb aspect carry what English does with prepositions and auxiliaries; she glosses an aspect pair once and lets the story repeat it. She points out where Czech word order carries the emphasis English would mark with stress.
  • Klara Polanowicz: Klara Polanowicz tłumaczy i upraszcza hiszpańskojęzyczne narracje dla polskich czytelników w serii lektur gradowanych. Często pracuje nad rejestrem: hiszpański z Ameryki Łacińskiej i z Półwyspu wymaga innych decyzji po polsku. W przypisach stawia na krótkość i kontekst, żeby słownik nie zasłaniał fabuły.
  • Krystyna Strażnik: Krystyna Strażnik od lat zajmuje się przekładem i redakcją tekstów literackich z francuskiego na polski dla dorosłych czytelników. W pracy nad wersjami uproszczonymi pilnuje, by poziom słownictwa zgadzał się z etykietą CEFR, a jednocześnie nie gubił się humor ani rytm dialogów. Prywatnie dużo czyta współczesną prozę francuskojęzyczną i chętnie poleca tytuły, które dobrze brzmią także po polsku.
  • Małgorzata Strzecharz: Małgorzata Strzecharz redaguje polskie wersje uproszczonych lektur do nauki angielskiego — od poziomów początkowych po średniozaawansowane. Łączy doświadczenie szkolne z pracą przy materiałach do czytania ekstensywnego: ważne jest dla niej, żeby bohaterowie nie brzmieli jak sztucznie uproszczone manekiny. Po godzinach i tak sięga po anglojęzyczne kryminały, bo lubi sprawdzać, jak brzmi żywy, współczesny idiom.
  • Margarete Reetdachdeckerin: Margarete Reetdachdeckerin verantwortet die deutsche Bearbeitung begleitender Texte zu englischsprachigen Lektüren der gestuften Reihe. Sie erklärt Phrasal verbs und idiomatische Kurzformen so, dass sie im Kapitel wiedererkennbar werden, ohne dass jede Seite zur Grammatiktafel wird. Sie liest laut, wenn ein Dialog noch nach Übungsbuch klingt.
  • Margherita Tettaiola: Margherita Tettaiola scrive e rivede testi in inglese con un occhio al lettore che passa dalle scuole superiori a esigenze professionali. Si occupa soprattutto di rendere le sfumature colloquiali comprensibili, senza cadere in calchi che suonano finti agli nativi. I glossari che prepara privilegiano le collocazioni, quelle combinazioni di parole che fanno suonare naturale una frase. Quando introduce un autore, preferisce poche biografie fattuali e un contesto culturale che renda plausibili le scelte stilistiche.
  • Marie Bender: Marie Bender adapts Polish literary texts for English speakers learning Polish through parallel reading and footnoted editions. She explains case endings and aspect pairs in short, plain English, then lets the Polish carry the voice of the narrator. She reads each chapter twice: once for accuracy, once for pace.
  • Mary Guide: Mary Guide edits English-facing material for Japanese originals in the series. She explains honorifics and sentence-final particles in plain English without turning every line into a lecture. She still listens to casual Japanese podcasts to keep colloquial markers feeling current in the notes.
  • Nora Harper: Nora Harper edits the English notes for Irish texts in the extensive-reading list. Initial mutations hide the form a learner would look up, so her first gloss gives the plain word beside the one on the page. She keeps the “tá … ag” way of owning things apart from the copula, because English “is” blurs both.
  • Pauline Bird: Pauline Bird adapts Chinese-language fiction for English readers in the graded-reader line. She helps decide when to gloss a measure word, a place name, or a four-character idiom, and when context can carry the load. She likes contemporary urban settings because they recycle high-frequency vocabulary in natural ways.
  • Renata Górski: Renata Górski przygotowuje polskie opracowania włoskiej beletrystyki w poziomach od A1 wzwyż. Wychodzi z założenia, że czytanie ma być przyjemnością, nie ćwiczeniem mechanicznym, więc czasem walczy z redakcją o jeden przymiotnik więcej, jeśli ratuje klimat sceny. Zna dobrze włoskie dialekty tylko z literatury, ale to wystarczy, żeby nie mylić Toskanii z północą w dialogu.
  • Rita Bergmann: Rita Bergmann redigiert vereinfachte italienische Texte mit deutscher Unterstützungsebene für die Serie. Regionale Marker—Norden, Süden, Stadt vs. Land—versieht sie mit leichten Hinweisen, wo sie die Handlung tragen. Ihr Ziel bleibt: flüssig lesen, ohne jede Zeile im Wörterbuch zu verbringen.
  • Rita Mounts: Rita Mounts works on English notes and simplified renderings for Italian fiction in the graded series. She watches out for regional markers—north versus south—that English readers might miss without a light gloss. Her goal is that someone on a commute can follow the plot without stopping every line.
  • Ruta Amber: Ruta Amber prepares the English commentary for Lithuanian texts in the graded-reader programme. Lithuanian leans on participles where English would open a new clause, so she unpacks the first few and then trusts repetition. She notes the diminutives that carry affection rather than size, which a literal gloss loses.
  • Sophie Stay-Maggot: Sophie Stay-Maggot works on English notes for Russian fiction in the graded series. She balances literary archaism with the labelled CEFR level, sometimes marking a form as “recognition only” so readers are not asked to produce it too early. She pays extra attention to names, patronymics, and diminutives that carry social information.
  • Theresa White: Theresa White edits English support text for Hebrew originals in the extensive-reading list. She distinguishes modern Israeli usage from biblical echoes when it matters for comprehension, and keeps glosses short enough not to bury the plot. She coordinates Hebrew spelling and vocalisation choices across a whole book so they stay consistent.
  • Zofia Postojska-Czerwień: Zofia Postojska-Czerwień redaguje polskie wersje rosyjskojęzycznych tekstów w serii dla samouków. Dobrze czuje różnice między współczesnym idiomem a archaizmem literackim i stara się nie mieszać ich w jednym poziomie trudności bez sygnału dla czytelnika. Lubi pracę nad dialogiem: rosyjski potrafi być bardzo bezpośredni, a polski wymaga czasem innego balansu grzecznościowego.
  • Мария Гибкая: Мария Гибкая работает с польскими падежными цепочками так, чтобы они подкрепляли сюжет, а не отвлекали от него. В сносках — минимальный парадигматический набор и один-два примера; задания строго на формы, встреченные в тексте. Перед печатью она сверяет падежные подсказки с фактическими формами в тексте, чтобы не осталось «висячих» ссылок на несуществующие окончания.

每本书均提供电子书(EPUB 和 PDF)和纸质书。许多书还提供有声书:朗读者在应用中朗读,每个词像卡拉OK一样依次高亮。