A2 Graded Readers

Choose A2 (Elementary) graded readers with a built-in glossary and exercises.

4.99 from 501 reviews
50 books
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English12Spanish10French7German5Portuguese3Russian3Italian2Swedish2Chinese1Danish1
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Czech0Dutch1Finnish0Hawaiian0Hebrew0Icelandic1Irish0Japanese1Lithuanian0Norwegian1Polish0
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50 books

Cover of Le Petit Prince – French A2 graded reader
E-BookPaperback

Le Petit Prince po francusku na poziomie A2 ze słownikiem

A2 French Glossary: Polish

by Antoine de Saint-Exupéry 5.0(7)

Samotny pilot na Saharze. Nagle pojawia się chłopiec z gwiazd, a jego opowieści zmieniają wszystko. Pochłaniaj francuski A2 bez wysiłku, chłonąc słownictwo i gramatykę w tej wzruszającej opowieści o przyjaźni. Słowniczek na marginesie sprawi, że nigdy nie stracisz wątku....

Cover of Le Petit Prince – English A2 graded reader
E-BookPaperback

Le Petit Prince po angielsku na poziomie A2 ze słownikiem

A2 English Glossary: Polish

by Antoine de Saint-Exupéry 5.0(6)

Samotny pilot na pustyni spotyka chłopca z gwiazd, który uczy go widzieć sercem. Zanurz się w tej ponadczasowej opowieści i bez wysiłku wchłaniaj angielski, budując słownictwo, które zostanie z Tobą na zawsze....

Cover of Orgueil et Préjugés – French A2 graded reader
E-BookPaperback

Orgueil et Préjugés po francusku na poziomie A2 ze słownikiem

A2 French Glossary: Polish

by Jane Austen 5.0(4)

Jej duma zderza się z jego arogancją, a każde spotkanie to iskry. Czy Elizabeth i Darcy pokonają uprzedzenia, by odnaleźć miłość? Pochłaniaj francuski naturalnie, śledząc ich losy i budując słownictwo, które naprawdę zapamiętasz....

Cover of Pride and Prejudice – English A2 graded reader
E-BookPaperback

Pride and Prejudice po angielsku na poziomie A2 ze słownikiem

A2 English Glossary: Polish

by Jane Austen 5.0(4)

Jej duma zderza się z jego arogancją, a społeczne konwenanse grożą zniszczeniem każdej szansy na miłość. Pochłaniaj angielski naturalnie, śledząc losy Elizabeth i Darcy'ego, i buduj słownictwo, które naprawdę zapamiętasz. Słowniczek na marginesie sprawi, że nigdy nie przerwiesz lektury....

Cover of As Aventuras de Sherlock Holmes – Portuguese A2 graded reader
E-BookPaperbackAudiobook

As Aventuras de Sherlock Holmes po portugalsku na poziomie A2 ze słownikiem

A2 Portuguese Glossary: Polish

by Arthur Conan Doyle 5.0(17)

Wiktoriański Londyn drży w posadach, a tylko genialny Sherlock Holmes może rozwikłać mroczne zagadki. Pochłaniaj portugalski naturalnie, śledząc jego dedukcje i budując słownictwo, które naprawdę zapamiętasz. Słowniczek na marginesie sprawi, że nigdy nie przerwiesz pasjonującej lektury....

Cover of Die Abenteuer des Sherlock Holmes – German A2 graded reader
E-BookPaperbackAudiobook

Die Abenteuer des Sherlock Holmes po niemiecku na poziomie A2 ze słownikiem

A2 German Glossary: Polish

by Arthur Conan Doyle 5.0(6)

Wiktoriański Londyn skrywa mroczne sekrety, a genialny Sherlock Holmes potrzebuje Twojej pomocy, by rozwikłać najbardziej zagadkowe zbrodnie. Pochłaniaj niemiecki A2 bez wysiłku, wciągnięty w świat dedukcji i tajemnic, z wbudowanymi słowniczkami, które ułatwią naukę....

Cover of Ana de la Tejas Verdes – Spanish A2 graded reader
E-BookPaperback

Ana de la Tejas Verdes po hiszpańsku na poziomie A2 ze słownikiem

A2 Spanish Glossary: Polish

by Lucy Maud Montgomery 5.0(15)

Co się stanie, gdy zamiast chłopca, na Zielone Wzgórze trafi rudowłosa marzycielka, która wywróci ich świat do góry nogami? Odkryj hiszpański naturalnie, budując słownictwo, które zostanie z Tobą na zawsze, dzięki wciągającej historii Ani. Słowniczek na marginesie sprawi, że nigdy nie przerwiesz lektury....

Cover of The Adventures of Sherlock Holmes – English A2 graded reader
E-BookPaperbackAudiobook

The Adventures of Sherlock Holmes po angielsku na poziomie A2 ze słownikiem

A2 English Glossary: Polish

by Arthur Conan Doyle 5.0(16)

Zaginione klejnoty, tajemnicze morderstwa, szantaż – wiktoriański Londyn czeka na Twoje śledztwo. Zanurz się w intrygę i bez wysiłku przyswajaj setki angielskich słów, rozwijając płynność....

Cover of Las Aventuras de Sherlock Holmes – Spanish A2 graded reader
E-BookPaperbackAudiobook

Las Aventuras de Sherlock Holmes po hiszpańsku na poziomie A2 ze słownikiem

A2 Spanish Glossary: Polish

by Arthur Conan Doyle 4.9(21)

Zaginione klejnoty, szantaż i morderstwa – czy odważysz się podążyć śladem Sherlocka Holmesa przez mroczny Londyn? Zanurz się w intrygującą fabułę i naturalnie wchłaniaj hiszpański, budując słownictwo, które zostanie z Tobą. Słowniczek na marginesie sprawi, że nigdy nie stracisz wątku....

Cover of Anne of Green Gables – English A2 graded reader
E-BookPaperback

Anne of Green Gables po angielsku na poziomie A2 ze słownikiem

A2 English Glossary: Polish

by Lucy Maud Montgomery 4.9(12)

Ona miała być chłopcem. Zamiast tego, na Zielone Wzgórze przybyła Ania – z burzą rudych włosów i sercem pełnym marzeń. Poczuj jej radości i smutki, a angielski A2 wchłoniesz naturalnie. Słowniczek na marginesie sprawi, że nigdy nie przerwiesz lektury, by szukać słówek....

What Makes a Good A2 Graded Reader?

At A2 (Elementary), learners can understand frequently used expressions and communicate in simple, routine tasks. Our graded readers for this CEFR level use controlled vocabulary and clear sentence structures so you can follow the story comfortably while absorbing new words in context — the core principle of comprehensible input. Each book includes a glossary beside the text with translations, meaning you read without interruptions. Every chapter ends with vocabulary and comprehension exercises, and QR codes take you to online flashcards and matching games built on spaced repetition. A2 graded readers are available across multiple languages, in ebook and paperback formats.

Formats: e-book, paperback and super audiobook

Our graded readers come in several formats. The text, the CEFR level and the glossary are the same in each — only the way you read changes. Pick whatever suits your day: the e-book on your phone on the way to work, paper and pencil at your desk, or the super audiobook when you want to read and listen at the same time.

E-book (EPUB and PDF). You can download both files right after purchase and read on an e-reader, phone, tablet or computer. Difficult words have their translation in a pop-up note: one tap and you are back in the story, no dictionary needed. Each chapter ends with vocabulary exercises, and a link takes you to free online practice with the same words.

Paperback. A classic softcover book, printed to order and sent by post. The glossary sits in the margin, right next to the word it explains, so you never have to flip pages. Chapters end with crosswords and vocabulary exercises, and QR codes take you to online practice on your phone. A good choice if you like writing in your books or want a break from screens.

Formats on this list (50 books): E-Book: 50 · Paperback: 48 · Super audiobook: 11.

The super audiobook: read, listen and check meanings at the same time

A super audiobook is an audiobook in karaoke form. A narrator reads the book aloud while the same text is in front of you, with a marker moving along it word by word. You always know which word you are hearing, so you never lose your place — even when the narrator speaks faster than you read. Your ears tell your eyes how a written word sounds, your eyes tell your ears how to spell what you hear, and both routes reinforce the same words at once.

The real difference shows when you meet a word you don't know. In an ordinary audiobook it is gone in a second; in a super audiobook it stays within reach: glossary words are marked in colour, and pressing and holding one shows its translation in your language. You check the meaning, keep listening and never lose the thread. A slider sets the narrator's speed from 0.5× to 1.5× — slow down at first to catch every syllable, then speed up towards natural speech. The words you meet while reading come back later in short exercises in the app, such as a mini crossword or building a word from its letters.

Reading while listening is well supported by research. In a Canadian programme described by Lightbown and colleagues (2002), children who for three years learned English only this way — reading books while listening to their recordings — understood the language as well as or better than peers taught in regular classes. Waring and Takaki (2003) showed that you need to meet a word at least eight times to have even a 50% chance of recognising it three months later. Listening to a chapter again gives you exactly those extra encounters with the same words — without needing a new text.

At A1 and A2 the super audiobook helps you connect spelling with pronunciation — especially valuable in languages that are not read the way they are written, or that use a different alphabet. At B1 and B2 it carries you along at the pace of real speech, so you get used to fluent listening and stop pausing at every sentence. Advanced readers often don't need a narrator at all — which is why you decide when to switch it on and when to read silently.

The super audiobook plays in the Pentecost app or in your browser, on a phone, tablet or computer. You can add it to an e-book: on the book page, tick “Add the audiobook” in the e-book box; if you already own the e-book, you can buy the recording on its own. With unlimited access you can listen to every recorded super audiobook with no limit, and each month you can unlock the recording of a book that doesn't have one yet — it is narrated for you, and the app lets you know when it is ready. The Audiobook filter shows the titles with a recording, and you can play a free sample without creating an account.

What Our Readers Say

Our readers love these books — and it shows! 501 people have rated our A2 graded readers an average of 4.99 out of 5. With built-in dictionaries, chapter exercises, and interactive online practice, each book is a complete language-learning toolkit that readers keep coming back to.

Our A2 graded readers collection includes titles such as Mujercitas, Алиса в Стране чудес, Alice au pays des merveilles, Alicia en el país de las maravillas, Alice im Wunderland, Umhverfis jörðina á 80 dögum, 八十日間世界一周, De reis om de wereld in tachtig dagen, Jorden rundt i 80 dage, 環遊世界八十天, Jorden runt på 80 dagar, Вокруг света за 80 дней, Reise um die Erde in 80 Tagen, La vuelta al mundo en 80 días, Jorden rundt på 80 dager, A Volta ao Mundo em 80 Dias, Il giro del mondo in 80 giorni, Le Tour du monde en 80 jours, Orgueil et Préjugés, Orgullo y prejuicio, Приключения Шерлока Холмса, Sherlock Holmes äventyr , Le avventure di Sherlock Holmes, As Aventuras de Sherlock Holmes, Les Aventures de Sherlock Holmes , Die Abenteuer des Sherlock Holmes , Ana de la Tejas Verdes, Las Aventuras de Sherlock Holmes, Animal Farm, Little Women, The Mysterious Island, Twenty Thousand Leagues Under the Sea, Alice’s Adventures in Wonderland, Around the World in Eighty Day, Nineteen Eighty-Four, Le Petit Prince, Pride and Prejudice, The Adventures of Sherlock Holmes and Anne of Green Gables. Every book comes with a dictionary beside the text (in the margin in print, a pop-up in EPUB), chapter exercises, and interactive online games.

★★★★★
"First French ebook that actually felt like my level. The glossary at the end of each chapter is a lifesaver."
★★★★★
"Bought it on a whim and stuck with it. Exercises are straightforward even when I check the glossary a lot."
★★★★★
"Words from early chapters return later - I notice them instead of meeting them once and forgetting."
★★★★★
"At A2 I can follow longer stretches without losing the thread. The grading still feels accurate."
★★★★★
"Plain and clear, no clutter. Short exercises after each section - I remember a few phrases now."

Find the Right Level

Not sure which level to choose? Download a free sample from any book to check the difficulty, or take our free reading placement test to find your CEFR level.

Why Graded Readers Work

Research confirms that extensive reading is one of the most effective methods for building vocabulary, improving reading fluency, and developing overall language proficiency. Graded readers make this approach accessible by matching text difficulty to your CEFR level, so you stay in the optimal learning zone. Learn more about the science behind our approach on the Pentecost Method page.

About the writers and translators

Classic writers from this list come first; the Pentecost editors who adapted these readers follow in the next block.

  • Antoine de Saint-Exupéry: Antoine de Saint-Exupéry (1900–1944) was a French writer and aviator who drew on his own flying adventures. In 1944 his plane vanished over the Mediterranean during a reconnaissance flight, and the wreckage was only found more than half a century later.
  • Arthur Conan Doyle: Arthur Conan Doyle (1859–1930) was a Scottish physician and writer, the creator of Sherlock Holmes. The brilliant detective was modelled on his university teacher, Dr. Joseph Bell, famous for his razor-sharp powers of observation.
  • George Orwell: George Orwell (1903–1950) was the pen name of Eric Arthur Blair, an English writer who fought in the Spanish Civil War. He coined terms such as "Big Brother" and "Newspeak," and his name gave us the adjective "Orwellian."
  • Jane Austen: Jane Austen (1775–1817) was an English novelist whose books were published anonymously in her lifetime, signed only "By a Lady." She completed just six novels, and today her portrait appears on the British £10 note.
  • Jules Verne: Jules Verne (1828–1905) was a French writer known as the father of science fiction and one of the most translated authors in the world. In his novels he foresaw submarines and space travel long before they existed.
  • Lewis Carroll: Lewis Carroll (1832–1898) was the pen name of Charles Dodgson, an Oxford mathematician and logician. He invented the story of Alice during a boat trip, to entertain a real little girl named Alice Liddell.
  • Louisa May Alcott: Louisa May Alcott (1832–1888) was an American writer who grew up among the Transcendentalists — Ralph Waldo Emerson and Henry David Thoreau were family friends. She served as a nurse during the Civil War and, before her fame, published sensational thrillers under the male pen name A. M. Barnard.
  • Lucy Maud Montgomery: Lucy Maud Montgomery (1874–1942) was a Canadian writer from Prince Edward Island who set her novels in the landscapes of her childhood. Thanks to Anne of Green Gables, the island became a place of pilgrimage for readers from around the world.

Translators and editors

Pentecost editors adapt vocabulary and notes so the story stays clear at your level.

  • Angela Borderkeeper: Angela Borderkeeper adapts German-language stories for English readers who are building vocabulary through extensive reading. She balances literal clarity with readable English, especially where German stacks nouns or uses modal particles that do not map neatly. Her side notes focus on collocations learners will meet again in real newspapers and podcasts.
  • Aniela Pogranicznik: Aniela Pogranicznik przygotowuje polskie opracowania tekstów niemieckich w serii dla samouków. Zwraca uwagę na to, by zdania były krótkie tam, gdzie trzeba, ale żeby nie straciły naturalnego szyku — szczególnie w scenach dialogowych. Często wraca do swoich notatek z kursów dla nauczycieli, gdy układa glosariusze i przypisy do trudniejszych zwrotów.
  • Anne Frank: Anne Frank edits English support text for Dutch originals in the series. She is careful with false friends between Dutch and English and flags them early in the glossary. When a joke depends on word order, she looks for an English equivalent that keeps the beat of the scene instead of explaining the punchline away.
  • Catherine Thief: Catherine Thief edits English support layers for Portuguese originals, comparing European and Brazilian variants when the source mixes them. She prefers one clear editorial choice per title rather than hedging in every footnote. She reads aloud to catch phrasing that still sounds like translationese.
  • Christine Guardian: Christine Guardian edits graded-reader adaptations of French fiction for English-speaking adults. She keeps an eye on register—literary French can sound stiff in English if you translate every clause—and prefers footnotes that support the scene rather than pause it. She still reads long-form journalism in French to stay close to how people actually write today.
  • Clara Fieldlove: Clara Fieldlove edits English-language scaffolding around Spanish narratives for the extensive-reading list. She steers clear of over-literal cognates that mislead beginners and prefers short glosses tied to the immediate context. She has a soft spot for dialogue-heavy chapters where rhythm matters as much as vocabulary.
  • Edwina Finbow: Edwina Finbow edits English-facing material for Icelandic fiction in the graded-reader programme. Icelandic inflection and compound formation get one clear gloss at first occurrence, then lighter reminders. She likes crime and family drama where everyday vocabulary does most of the storytelling work.
  • Grace Earthland: Grace Earthland prepares English commentary for Norwegian texts in the graded-reader programme. Norwegian’s compact clauses can read abrupt in English; she smooths the seams while keeping the emotional temperature of the scene. She coordinates closely with whoever writes the chapter exercises so examples match the chapter’s new items.
  • Greta Thunderhill: Greta Thunderhill adapts Swedish fiction for English-speaking learners using the Pentecost graded format. She keeps an eye on compound words that look long but are common in Swedish, and explains them once where they recur. She likes endings where the payoff is emotional rather than lexical—those need the lightest touch in the notes.
  • Inga Clay: Inga Clay prepares English-facing materials for Danish fiction in the graded-reader line. Danish often drops subjects; she makes sure the English scaffolding still feels natural while the original stays visible on the facing page or in the margin notes. She enjoys working on small-town settings where everyday vocabulary carries most of the plot.
  • Katarzyna Złodziej: Katarzyna Złodziej przygotowuje polskie teksty towarzyszące portugalskojęzycznej beletrystyce w serii na różne poziomy CEFR. Bacznie rozróżnia wariant europejski i brazylijski, gdy w oryginale ma to znaczenie. W pracy redakcyjnej woli jedną jasną decyzję niż pięć kompromisów, które rozmywają głos narratora.
  • Klara Polanowicz: Klara Polanowicz tłumaczy i upraszcza hiszpańskojęzyczne narracje dla polskich czytelników w serii lektur gradowanych. Często pracuje nad rejestrem: hiszpański z Ameryki Łacińskiej i z Półwyspu wymaga innych decyzji po polsku. W przypisach stawia na krótkość i kontekst, żeby słownik nie zasłaniał fabuły.
  • Krystyna Strażnik: Krystyna Strażnik od lat zajmuje się przekładem i redakcją tekstów literackich z francuskiego na polski dla dorosłych czytelników. W pracy nad wersjami uproszczonymi pilnuje, by poziom słownictwa zgadzał się z etykietą CEFR, a jednocześnie nie gubił się humor ani rytm dialogów. Prywatnie dużo czyta współczesną prozę francuskojęzyczną i chętnie poleca tytuły, które dobrze brzmią także po polsku.
  • Małgorzata Strzecharz: Małgorzata Strzecharz redaguje polskie wersje uproszczonych lektur do nauki angielskiego — od poziomów początkowych po średniozaawansowane. Łączy doświadczenie szkolne z pracą przy materiałach do czytania ekstensywnego: ważne jest dla niej, żeby bohaterowie nie brzmieli jak sztucznie uproszczone manekiny. Po godzinach i tak sięga po anglojęzyczne kryminały, bo lubi sprawdzać, jak brzmi żywy, współczesny idiom.
  • Margarete Reetdachdeckerin: Margarete Reetdachdeckerin verantwortet die deutsche Bearbeitung begleitender Texte zu englischsprachigen Lektüren der gestuften Reihe. Sie erklärt Phrasal verbs und idiomatische Kurzformen so, dass sie im Kapitel wiedererkennbar werden, ohne dass jede Seite zur Grammatiktafel wird. Sie liest laut, wenn ein Dialog noch nach Übungsbuch klingt.
  • Mary Guide: Mary Guide edits English-facing material for Japanese originals in the series. She explains honorifics and sentence-final particles in plain English without turning every line into a lecture. She still listens to casual Japanese podcasts to keep colloquial markers feeling current in the notes.
  • Pauline Bird: Pauline Bird adapts Chinese-language fiction for English readers in the graded-reader line. She helps decide when to gloss a measure word, a place name, or a four-character idiom, and when context can carry the load. She likes contemporary urban settings because they recycle high-frequency vocabulary in natural ways.
  • Rita Mounts: Rita Mounts works on English notes and simplified renderings for Italian fiction in the graded series. She watches out for regional markers—north versus south—that English readers might miss without a light gloss. Her goal is that someone on a commute can follow the plot without stopping every line.
  • Sophie Stay-Maggot: Sophie Stay-Maggot works on English notes for Russian fiction in the graded series. She balances literary archaism with the labelled CEFR level, sometimes marking a form as “recognition only” so readers are not asked to produce it too early. She pays extra attention to names, patronymics, and diminutives that carry social information.

Every book is available as an e-book (EPUB and PDF) and as a paperback. Many titles also come as an audiobook: a narrator reads in the app while each word lights up, karaoke-style.