Find the Perfect Book for Your Level

Read graded readers with a built-in dictionary and vocabulary exercises.

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242 books
Format

242 books

Cover of Ke Keiki Aliʻi Liʻiliʻi – Hawaiian A1 graded reader
E-BookPaperback

Ke Keiki Aliʻi Liʻiliʻi in Hawaiian at level A1 with dictionary

A1 Hawaiian Glossary: English

by Antoine de Saint-Exupéry 4.8(24)

What if a tiny prince from a distant asteroid held the secret to true connection? Immerse yourself in his timeless journey, absorbing essential Hawaiian vocabulary and grammar naturally, without ever feeling like you're studying. A built-in margin dictionary keeps you immersed, so you never break your reading flow....

Cover of De reis om de wereld in tachtig dagen – Dutch B2 graded reader
E-BookPaperback

De reis om de wereld in tachtig dagen in Dutch at level B2 with dictionary

B2 Dutch Glossary: English

by Jules Verne 4.8(8)

Your fortune hangs in the balance: can you circumnavigate the globe in just 80 days? Absorb hundreds of real-world Dutch words and complex grammar naturally, building vocabulary that sticks effortlessly. A margin dictionary means you never break your reading flow....

Cover of Jorden rundt i 80 dage – Danish B1 graded reader
E-BookPaperback

Jorden rundt i 80 dage in Danish at level B1 with dictionary

B1 Danish Glossary: English

by Jules Verne 4.8(8)

The clock is ticking, a fortune hangs in the balance, and a detective is hot on your trail across continents. Master B1 Danish vocabulary and grammar effortlessly, absorbing hundreds of real-world words naturally as you race across the globe. A convenient margin dictionary keeps you immersed, never breaking your reading flow....

Cover of 环游世界八十天 – Chinese A1 graded reader
E-BookPaperbackAudiobook

环游世界八十天 in Chinese at level A1 with dictionary

A1 Chinese Glossary: English

by Jules Verne 4.8(15)

A daring wager, a relentless detective, and a race against time across the globe. Can you make it? Absorb essential Chinese vocabulary and grammar naturally, building confidence with every page. A built-in margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Reise um die Erde in 80 Tagen – German B2 graded reader
E-BookPaperback

Reise um die Erde in 80 Tagen in German at level B2 with dictionary

B2 German Glossary: English

by Jules Verne 4.8(4)

The clock is ticking. Can you outrun a relentless detective and circumnavigate the globe in just eighty days, with a fortune and a new love at stake? You'll effortlessly absorb B2 German vocabulary and complex grammar, building fluency while lost in a timeless adventure. A margin dictionary means you never break your reading flow....

Cover of A Volta ao Mundo em 80 Dias – Portuguese B2 graded reader
E-BookPaperback

A Volta ao Mundo em 80 Dias in Portuguese at level B2 with dictionary

B2 Portuguese Glossary: English

by Jules Verne 4.8(6)

The clock is ticking. Your fortune, your freedom, and a beautiful princess hang in the balance as you race across continents. Absorb B2 Portuguese vocabulary and grammar naturally, building fluency as you race alongside Fogg. A built-in margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Sherlock Holmes äventyr – Swedish B2 graded reader
E-BookPaperback

Sherlock Holmes äventyr in Swedish at level B2 with dictionary

B2 Swedish Glossary: English

by Arthur Conan Doyle 4.8(9)

The gaslight flickers, a shadow falls, and a baffling case lands on Baker Street's doorstep. Absorb B2 Swedish naturally, building a robust vocabulary as you unravel Victorian London's darkest secrets alongside Holmes....

Cover of Les Aventures de Sherlock Holmes – French B1 graded reader
E-BookPaperbackAudiobook

Les Aventures de Sherlock Holmes in French at level B1 with dictionary

B1 French Glossary: English

by Arthur Conan Doyle 4.8(4)

The gaslight flickers, a cryptic note arrives, and a baffling case unfolds in foggy Victorian London. Can you deduce the truth? Master intermediate French vocabulary and grammar, absorbing it naturally as you solve crimes alongside the master detective. A margin dictionary means you never break your reading flow....

Cover of Mažasis princas – Lithuanian A1 graded reader
E-BookPaperbackAudiobook

Mažasis princas in Lithuanian at level A1 with dictionary

A1 Lithuanian Glossary: English

by Antoine de Saint-Exupéry 4.7(31)

He left his beloved rose behind, but can he ever truly forget her? Absorb Lithuanian naturally and build vocabulary that sticks, all while lost in this timeless tale of love and connection....

Cover of 八十日間世界一周 – Japanese B2 graded reader
E-BookPaperback

八十日間世界一周 in Japanese at level B2 with dictionary

B2 Japanese Glossary: English

by Jules Verne 4.7(15)

Bet your fortune, race the clock, and outwit a relentless detective on a thrilling dash around the globe. Master B2 Japanese vocabulary and grammar effortlessly, immersing yourself in a timeless tale of adventure and intrigue. A built-in dictionary means you never break your reading flow....

Cover of De reis om de wereld in tachtig dagen – Dutch A1 graded reader
E-BookPaperback

De reis om de wereld in tachtig dagen in Dutch at level A1 with dictionary

A1 Dutch Glossary: English

by Jules Verne 4.7(9)

Can you circumnavigate the globe in 80 days, with a detective convinced you're a thief? Get lost in this classic adventure and effortlessly build your A1 Dutch vocabulary, absorbing real-world phrases without a textbook....

Cover of Jorden runt på 80 dagar – Swedish B2 graded reader
E-BookPaperback

Jorden runt på 80 dagar in Swedish at level B2 with dictionary

B2 Swedish Glossary: English

by Jules Verne 4.7(6)

A daring wager, a relentless detective, and a world waiting to be conquered in just 80 days. Build B2 Swedish vocabulary and grammar that sticks, effortlessly, as you get lost in this classic tale of global adventure. A margin dictionary means you never break your reading flow....

Cover of La vuelta al mundo en 80 días – Spanish A1 graded reader
E-BookPaperbackAudiobook

La vuelta al mundo en 80 días in Spanish at level A1 with dictionary

A1 Spanish Glossary: English

by Jules Verne 4.7(3)

A daring wager, a global chase, and a detective convinced you're a thief – can you outrun them all? Absorb hundreds of real-world Spanish words and phrases effortlessly as you get lost in this thrilling adventure. Carefully adapted for beginners, every page builds your confidence....

Cover of An Prionsa Beag – Irish A1 graded reader
E-BookPaperbackAudiobook

An Prionsa Beag in Irish at level A1 with dictionary

A1 Irish Glossary: English

by Antoine de Saint-Exupéry 4.6(22)

Stranded in the desert, an aviator meets a mysterious prince whose journey reveals the true meaning of connection. You'll absorb hundreds of real-world Irish words and phrases, building vocabulary that sticks effortlessly. A margin dictionary means you never break your reading flow....

Cover of Umhverfis jörðina á 80 dögum – Icelandic A1 graded reader
E-BookPaperbackAudiobook

Umhverfis jörðina á 80 dögum in Icelandic at level A1 with dictionary

A1 Icelandic Glossary: English

by Jules Verne 4.6(15)

The clock is ticking, your fortune is on the line, and a relentless detective believes you're a bank robber. Dive into a thrilling adventure and effortlessly build your Icelandic vocabulary, absorbing hundreds of real-world words and phrases naturally....

Cover of Il giro del mondo in 80 giorni – Italian B2 graded reader
E-BookPaperback

Il giro del mondo in 80 giorni in Italian at level B2 with dictionary

B2 Italian Glossary: English

by Jules Verne 4.6(7)

Eighty days. That's all the time Phileas Fogg has to circle the globe, pursued by a detective who thinks he's a thief. Unlock B2 Italian fluency as you follow Fogg's thrilling journey, absorbing complex vocabulary and grammar naturally. A margin dictionary means you never break your reading flow....

Cover of Sherlock Holmes äventyr – Swedish A2 graded reader
E-BookPaperbackAudiobook

Sherlock Holmes äventyr in Swedish at level A2 with dictionary

A2 Swedish Glossary: English

by Arthur Conan Doyle 4.6(8)

The gaslight flickers, a shadow falls, and a new mystery unfolds on Baker Street. Can you deduce the truth? Absorb A2 Swedish vocabulary and grammar naturally, building real-world fluency as you solve cases alongside Holmes. A margin dictionary keeps you immersed, never breaking your reading flow....

Cover of Le avventure di Sherlock Holmes – Italian B2 graded reader
E-Book

Le avventure di Sherlock Holmes in Italian at level B2 with dictionary

B2 Italian Glossary: English

by Arthur Conan Doyle 4.5(8)

A baffling crime, a cryptic clue, and only one man can solve it in the gaslit streets of London. Build advanced Italian vocabulary and comprehension naturally, immersed in Holmes's world. Contextual notes clarify complex Italian phrases without breaking your flow....

Cover of Reise um die Erde in 80 Tagen – German A1 graded reader
E-BookPaperbackAudiobook

Reise um die Erde in 80 Tagen in German at level A1 with dictionary

A1 German Glossary: English

by Jules Verne 4.4(7)

A daring bet, a global chase, and a detective convinced you're a thief – your adventure begins now. Master German A1 vocabulary and grammar naturally, swept away by a classic tale of adventure. A built-in dictionary on every page keeps you immersed, never breaking your reading flow....

Cover of A Volta ao Mundo em 80 Dias – Portuguese B1 graded reader
E-BookPaperback

A Volta ao Mundo em 80 Dias in Portuguese at level B1 with dictionary

B1 Portuguese Glossary: English

by Jules Verne 4.4(9)

The clock is ticking. Your fortune, and freedom, depend on a daring dash across continents, but a detective is hot on your heels. Absorb B1 Portuguese naturally as you race with Fogg, building vocabulary that sticks without breaking your reading flow thanks to integrated definitions....

Why Graded Readers Work

Research confirms that extensive reading is one of the most effective ways to build vocabulary and improve fluency. Graded readers match text difficulty to your CEFR level, so every page is challenging enough to learn from but easy enough to enjoy. Each book includes a dictionary beside the text, chapter exercises, and online vocabulary practice — everything you need in one package.

Formats: e-book, paperback and super audiobook

Our graded readers come in several formats. The text, the CEFR level and the glossary are the same in each — only the way you read changes. Pick whatever suits your day: the e-book on your phone on the way to work, paper and pencil at your desk, or the super audiobook when you want to read and listen at the same time.

E-book (EPUB and PDF). You can download both files right after purchase and read on an e-reader, phone, tablet or computer. Difficult words have their translation in a pop-up note: one tap and you are back in the story, no dictionary needed. Each chapter ends with vocabulary exercises, and a link takes you to free online practice with the same words.

Paperback. A classic softcover book, printed to order and sent by post. The glossary sits in the margin, right next to the word it explains, so you never have to flip pages. Chapters end with crosswords and vocabulary exercises, and QR codes take you to online practice on your phone. A good choice if you like writing in your books or want a break from screens.

Formats on this list (242 books): E-Book: 242 · Paperback: 231 · Super audiobook: 68.

The super audiobook: read, listen and check meanings at the same time

A super audiobook is an audiobook in karaoke form. A narrator reads the book aloud while the same text is in front of you, with a marker moving along it word by word. You always know which word you are hearing, so you never lose your place — even when the narrator speaks faster than you read. Your ears tell your eyes how a written word sounds, your eyes tell your ears how to spell what you hear, and both routes reinforce the same words at once.

The real difference shows when you meet a word you don't know. In an ordinary audiobook it is gone in a second; in a super audiobook it stays within reach: glossary words are marked in colour, and pressing and holding one shows its translation in your language. You check the meaning, keep listening and never lose the thread. A slider sets the narrator's speed from 0.5× to 1.5× — slow down at first to catch every syllable, then speed up towards natural speech. The words you meet while reading come back later in short exercises in the app, such as a mini crossword or building a word from its letters.

Reading while listening is well supported by research. In a Canadian programme described by Lightbown and colleagues (2002), children who for three years learned English only this way — reading books while listening to their recordings — understood the language as well as or better than peers taught in regular classes. Waring and Takaki (2003) showed that you need to meet a word at least eight times to have even a 50% chance of recognising it three months later. Listening to a chapter again gives you exactly those extra encounters with the same words — without needing a new text.

At A1 and A2 the super audiobook helps you connect spelling with pronunciation — especially valuable in languages that are not read the way they are written, or that use a different alphabet. At B1 and B2 it carries you along at the pace of real speech, so you get used to fluent listening and stop pausing at every sentence. Advanced readers often don't need a narrator at all — which is why you decide when to switch it on and when to read silently.

The super audiobook plays in the Pentecost app or in your browser, on a phone, tablet or computer. You can add it to an e-book: on the book page, tick “Add the audiobook” in the e-book box; if you already own the e-book, you can buy the recording on its own. With unlimited access you can listen to every recorded super audiobook with no limit, and each month you can unlock the recording of a book that doesn't have one yet — it is narrated for you, and the app lets you know when it is ready. The Audiobook filter shows the titles with a recording, and you can play a free sample without creating an account.

About the writers and translators

Classic writers from this list come first; the Pentecost editors who adapted these readers follow in the next block.

  • Antoine de Saint-Exupéry: Antoine de Saint-Exupéry (1900–1944) was a French writer and aviator who drew on his own flying adventures. In 1944 his plane vanished over the Mediterranean during a reconnaissance flight, and the wreckage was only found more than half a century later.
  • Arthur Conan Doyle: Arthur Conan Doyle (1859–1930) was a Scottish physician and writer, the creator of Sherlock Holmes. The brilliant detective was modelled on his university teacher, Dr. Joseph Bell, famous for his razor-sharp powers of observation.
  • George Orwell: George Orwell (1903–1950) was the pen name of Eric Arthur Blair, an English writer who fought in the Spanish Civil War. He coined terms such as "Big Brother" and "Newspeak," and his name gave us the adjective "Orwellian."
  • Jane Austen: Jane Austen (1775–1817) was an English novelist whose books were published anonymously in her lifetime, signed only "By a Lady." She completed just six novels, and today her portrait appears on the British £10 note.
  • Jules Verne: Jules Verne (1828–1905) was a French writer known as the father of science fiction and one of the most translated authors in the world. In his novels he foresaw submarines and space travel long before they existed.
  • Lewis Carroll: Lewis Carroll (1832–1898) was the pen name of Charles Dodgson, an Oxford mathematician and logician. He invented the story of Alice during a boat trip, to entertain a real little girl named Alice Liddell.
  • Louisa May Alcott: Louisa May Alcott (1832–1888) was an American writer who grew up among the Transcendentalists — Ralph Waldo Emerson and Henry David Thoreau were family friends. She served as a nurse during the Civil War and, before her fame, published sensational thrillers under the male pen name A. M. Barnard.
  • Lucy Maud Montgomery: Lucy Maud Montgomery (1874–1942) was a Canadian writer from Prince Edward Island who set her novels in the landscapes of her childhood. Thanks to Anne of Green Gables, the island became a place of pilgrimage for readers from around the world.

Translators and editors

Pentecost editors adapt vocabulary and notes so the story stays clear at your level.

  • Aino Snow: Aino Snow adapts Finnish fiction for English-speaking readers in the graded-reader series. Finnish cases and consonant gradation get short, reusable glosses instead of a grammar essay on every page. She prefers footnotes that point forward—hinting that a form will return—so readers start to recognise patterns.
  • Angela Borderkeeper: Angela Borderkeeper adapts German-language stories for English readers who are building vocabulary through extensive reading. She balances literal clarity with readable English, especially where German stacks nouns or uses modal particles that do not map neatly. Her side notes focus on collocations learners will meet again in real newspapers and podcasts.
  • Aniela Pogranicznik: Aniela Pogranicznik przygotowuje polskie opracowania tekstów niemieckich w serii dla samouków. Zwraca uwagę na to, by zdania były krótkie tam, gdzie trzeba, ale żeby nie straciły naturalnego szyku — szczególnie w scenach dialogowych. Często wraca do swoich notatek z kursów dla nauczycieli, gdy układa glosariusze i przypisy do trudniejszych zwrotów.
  • Anne Frank: Anne Frank edits English support text for Dutch originals in the series. She is careful with false friends between Dutch and English and flags them early in the glossary. When a joke depends on word order, she looks for an English equivalent that keeps the beat of the scene instead of explaining the punchline away.
  • Catherine Thief: Catherine Thief edits English support layers for Portuguese originals, comparing European and Brazilian variants when the source mixes them. She prefers one clear editorial choice per title rather than hedging in every footnote. She reads aloud to catch phrasing that still sounds like translationese.
  • Christine Guardian: Christine Guardian edits graded-reader adaptations of French fiction for English-speaking adults. She keeps an eye on register—literary French can sound stiff in English if you translate every clause—and prefers footnotes that support the scene rather than pause it. She still reads long-form journalism in French to stay close to how people actually write today.
  • Clara Fieldlove: Clara Fieldlove edits English-language scaffolding around Spanish narratives for the extensive-reading list. She steers clear of over-literal cognates that mislead beginners and prefers short glosses tied to the immediate context. She has a soft spot for dialogue-heavy chapters where rhythm matters as much as vocabulary.
  • Edwina Finbow: Edwina Finbow edits English-facing material for Icelandic fiction in the graded-reader programme. Icelandic inflection and compound formation get one clear gloss at first occurrence, then lighter reminders. She likes crime and family drama where everyday vocabulary does most of the storytelling work.
  • Grace Earthland: Grace Earthland prepares English commentary for Norwegian texts in the graded-reader programme. Norwegian’s compact clauses can read abrupt in English; she smooths the seams while keeping the emotional temperature of the scene. She coordinates closely with whoever writes the chapter exercises so examples match the chapter’s new items.
  • Greta Thunderhill: Greta Thunderhill adapts Swedish fiction for English-speaking learners using the Pentecost graded format. She keeps an eye on compound words that look long but are common in Swedish, and explains them once where they recur. She likes endings where the payoff is emotional rather than lexical—those need the lightest touch in the notes.
  • Helen Rainbow: Helen Rainbow prepares the English support layer for Hawaiian texts in the graded-reader programme. The ʻokina and the kahakō change what a word means, so she keeps them in every gloss instead of tidying them away. She watches the a-class and o-class possessives, where English “my” hides a distinction Hawaiian insists on.
  • Inga Clay: Inga Clay prepares English-facing materials for Danish fiction in the graded-reader line. Danish often drops subjects; she makes sure the English scaffolding still feels natural while the original stays visible on the facing page or in the margin notes. She enjoys working on small-town settings where everyday vocabulary carries most of the plot.
  • Katarzyna Złodziej: Katarzyna Złodziej przygotowuje polskie teksty towarzyszące portugalskojęzycznej beletrystyce w serii na różne poziomy CEFR. Bacznie rozróżnia wariant europejski i brazylijski, gdy w oryginale ma to znaczenie. W pracy redakcyjnej woli jedną jasną decyzję niż pięć kompromisów, które rozmywają głos narratora.
  • Klara Linden: Klara Linden adapts Czech fiction for English-speaking readers in the Pentecost graded line. Seven cases and verb aspect carry what English does with prepositions and auxiliaries; she glosses an aspect pair once and lets the story repeat it. She points out where Czech word order carries the emphasis English would mark with stress.
  • Klara Polanowicz: Klara Polanowicz tłumaczy i upraszcza hiszpańskojęzyczne narracje dla polskich czytelników w serii lektur gradowanych. Często pracuje nad rejestrem: hiszpański z Ameryki Łacińskiej i z Półwyspu wymaga innych decyzji po polsku. W przypisach stawia na krótkość i kontekst, żeby słownik nie zasłaniał fabuły.
  • Krystyna Strażnik: Krystyna Strażnik od lat zajmuje się przekładem i redakcją tekstów literackich z francuskiego na polski dla dorosłych czytelników. W pracy nad wersjami uproszczonymi pilnuje, by poziom słownictwa zgadzał się z etykietą CEFR, a jednocześnie nie gubił się humor ani rytm dialogów. Prywatnie dużo czyta współczesną prozę francuskojęzyczną i chętnie poleca tytuły, które dobrze brzmią także po polsku.
  • Małgorzata Strzecharz: Małgorzata Strzecharz redaguje polskie wersje uproszczonych lektur do nauki angielskiego — od poziomów początkowych po średniozaawansowane. Łączy doświadczenie szkolne z pracą przy materiałach do czytania ekstensywnego: ważne jest dla niej, żeby bohaterowie nie brzmieli jak sztucznie uproszczone manekiny. Po godzinach i tak sięga po anglojęzyczne kryminały, bo lubi sprawdzać, jak brzmi żywy, współczesny idiom.
  • Margarete Reetdachdeckerin: Margarete Reetdachdeckerin verantwortet die deutsche Bearbeitung begleitender Texte zu englischsprachigen Lektüren der gestuften Reihe. Sie erklärt Phrasal verbs und idiomatische Kurzformen so, dass sie im Kapitel wiedererkennbar werden, ohne dass jede Seite zur Grammatiktafel wird. Sie liest laut, wenn ein Dialog noch nach Übungsbuch klingt.
  • Margherita Tettaiola: Margherita Tettaiola scrive e rivede testi in inglese con un occhio al lettore che passa dalle scuole superiori a esigenze professionali. Si occupa soprattutto di rendere le sfumature colloquiali comprensibili, senza cadere in calchi che suonano finti agli nativi. I glossari che prepara privilegiano le collocazioni, quelle combinazioni di parole che fanno suonare naturale una frase. Quando introduce un autore, preferisce poche biografie fattuali e un contesto culturale che renda plausibili le scelte stilistiche.
  • Marie Bender: Marie Bender adapts Polish literary texts for English speakers learning Polish through parallel reading and footnoted editions. She explains case endings and aspect pairs in short, plain English, then lets the Polish carry the voice of the narrator. She reads each chapter twice: once for accuracy, once for pace.
  • Mary Guide: Mary Guide edits English-facing material for Japanese originals in the series. She explains honorifics and sentence-final particles in plain English without turning every line into a lecture. She still listens to casual Japanese podcasts to keep colloquial markers feeling current in the notes.
  • Nora Harper: Nora Harper edits the English notes for Irish texts in the extensive-reading list. Initial mutations hide the form a learner would look up, so her first gloss gives the plain word beside the one on the page. She keeps the “tá … ag” way of owning things apart from the copula, because English “is” blurs both.
  • Pauline Bird: Pauline Bird adapts Chinese-language fiction for English readers in the graded-reader line. She helps decide when to gloss a measure word, a place name, or a four-character idiom, and when context can carry the load. She likes contemporary urban settings because they recycle high-frequency vocabulary in natural ways.
  • Renata Górski: Renata Górski przygotowuje polskie opracowania włoskiej beletrystyki w poziomach od A1 wzwyż. Wychodzi z założenia, że czytanie ma być przyjemnością, nie ćwiczeniem mechanicznym, więc czasem walczy z redakcją o jeden przymiotnik więcej, jeśli ratuje klimat sceny. Zna dobrze włoskie dialekty tylko z literatury, ale to wystarczy, żeby nie mylić Toskanii z północą w dialogu.
  • Rita Bergmann: Rita Bergmann redigiert vereinfachte italienische Texte mit deutscher Unterstützungsebene für die Serie. Regionale Marker—Norden, Süden, Stadt vs. Land—versieht sie mit leichten Hinweisen, wo sie die Handlung tragen. Ihr Ziel bleibt: flüssig lesen, ohne jede Zeile im Wörterbuch zu verbringen.
  • Rita Mounts: Rita Mounts works on English notes and simplified renderings for Italian fiction in the graded series. She watches out for regional markers—north versus south—that English readers might miss without a light gloss. Her goal is that someone on a commute can follow the plot without stopping every line.
  • Ruta Amber: Ruta Amber prepares the English commentary for Lithuanian texts in the graded-reader programme. Lithuanian leans on participles where English would open a new clause, so she unpacks the first few and then trusts repetition. She notes the diminutives that carry affection rather than size, which a literal gloss loses.
  • Sophie Stay-Maggot: Sophie Stay-Maggot works on English notes for Russian fiction in the graded series. She balances literary archaism with the labelled CEFR level, sometimes marking a form as “recognition only” so readers are not asked to produce it too early. She pays extra attention to names, patronymics, and diminutives that carry social information.
  • Theresa White: Theresa White edits English support text for Hebrew originals in the extensive-reading list. She distinguishes modern Israeli usage from biblical echoes when it matters for comprehension, and keeps glosses short enough not to bury the plot. She coordinates Hebrew spelling and vocalisation choices across a whole book so they stay consistent.
  • Zofia Postojska-Czerwień: Zofia Postojska-Czerwień redaguje polskie wersje rosyjskojęzycznych tekstów w serii dla samouków. Dobrze czuje różnice między współczesnym idiomem a archaizmem literackim i stara się nie mieszać ich w jednym poziomie trudności bez sygnału dla czytelnika. Lubi pracę nad dialogiem: rosyjski potrafi być bardzo bezpośredni, a polski wymaga czasem innego balansu grzecznościowego.
  • Мария Гибкая: Мария Гибкая работает с польскими падежными цепочками так, чтобы они подкрепляли сюжет, а не отвлекали от него. В сносках — минимальный парадигматический набор и один-два примера; задания строго на формы, встреченные в тексте. Перед печатью она сверяет падежные подсказки с фактическими формами в тексте, чтобы не осталось «висячих» ссылок на несуществующие окончания.

Every book is available as an e-book (EPUB and PDF) and as a paperback. Many titles also come as an audiobook: a narrator reads in the app while each word lights up, karaoke-style.